Live Mendelssohn’s Violin Concerto Thu 29 – Sat 31 May

Danish conductor Thomas Søndergård is the Music Director of the Royal Scottish National Orchestra, following six seasons as Principal Guest Conductor, as well as the Music Director of the Minnesota Orchestra. Between 2012 and 2018, he served as Principal Conductor of BBC National Orchestra of Wales (BBC NOW), after stepping down as Principal Conductor and Musical Advisor of the Norwegian Radio Orchestra.

He has appeared with many notable orchestras in leading European centres, such as Berlin (including Berliner Philharmoniker, Rundfunk-Sinfonieorchester Berlin, Mahler Chamber Orchestra, Konzerthausorchester Berlin), Munich (Symphonieorchester des Bayerischen Rundfunk), Zurich (Tonhalle Orchester Zurich), Leipzig (Gewandhausorchester), Paris (Orchestre National de France), London (London Philharmonic, BBC Symphony, London Symphony and Philharmonia Orchestra), Amsterdam and Rotterdam (Royal Concertgebouw Orchestra, Netherlands Philharmonic, Rotterdam Philharmonic) and is a familiar figure in Scandinavia, with such orchestras as Oslo Philharmonic, Gothenburg Symphony, Danish National Symphony, Royal Stockholm Philharmonic, Swedish Radio Symphony, Finnish Radio Symphony and Helsinki Philharmonic. North American appearances to date have included the symphony orchestras of New York, Chicago, Cleveland, Cincinnati, Baltimore, St Louis, Toronto, Atlanta, Montreal, Vancouver, Houston and Seattle. He has also made highly successful tours to China, Korea, Australia and New Zealand.

Highlights with the RSNO this season include Mahler’s epic Symphony No. 2, a collaboration with Dunedin Consort, and closing the season with a celebration of the music of Dmitri Shostakovich. With the Minnesota Orchestra in 2024/25, Thomas leads a diverse range of programmes, including a Nordic Composers Festival, concert performances of Puccini’s Turandot, and projects with leading soloists such as Yunchan Lim, Isabelle Faust, Julia Bullock and Bruce Liu. Other highlights for Thomas this season include his debut with Los Angeles Philharmonic, as well as returns to Deutsche Oper Berlin (Elektra), Den Norske Opera (Peer Gynt), and the City of Birmingham Symphony Orchestra. Thomas will also lead a project with the Aarhus Symfoniorkester celebrating the 750th anniversary of the city of Holstebro – his home city.

As part of the 2015 anniversary celebrations of both Sibelius and Nielsen, he conducted a wide variety of their works with many leading orchestras. A passionate supporter of the music of Carl Nielsen, his performances with the Swedish Radio Symphony of his Symphony No. 5 was praised as “equal of the great pioneers of Nielsen interpretation… It’s hard to imagine a finer performance of this remarkable symphony.” (Dagens Nyheter); and in 2019 participated in a special concert to celebrate Nielsen’s works with the Royal Danish Academy of Music Copenhagen.

Following his acclaimed debut for Royal Danish Opera (Kafka’s Trial), he has since returned regularly to conduct a broad repertoire, including Die Walküre, which won the 2022 Reumert Award for Best Opera Production, Elektra, Le nozze di Figaro, Il barbiere di Siviglia, La bohème, Cunning Little Vixen, Il viaggio a Reims; and has also made short concert tours with the Royal Danish Orchestra. He has also enjoyed successful collaborations with Norwegian Opera and Royal Swedish Opera. His Stockholm productions of Tosca and Turandot (both with Nina Stemme) led to his Bayerische Staatsoper debut, conducting main season and Opera Festival performances of Turandot with her and he most recently returned to for the Opera’s Akademiekonzert series. He made his Deutsche Oper Berlin debut with the World premiere of Scartazzini’s Edward II and has since returned for Berlioz’s Romeo and Juliet.

His discography covers a broad range of contemporary and mainstream repertoire, including Carl Nielsen (The Royal Danish Orchestra, Naxos Records), Poul Ruders (Arhus Symphony, Norwegian Radio, Royal Danish Opera (Kafka’s Trial) for Da Capo and Bridge Records); Sibelius symphonies and tone poems with BBC NOW and Prokofiev and Richard Strauss with RSNO for Linn Records; Lutoslawski and Dutilleux concertos with ‘cellist Johannes Moser and Rundfunk Sinfonieorchester Berlin (Pentatone); and Vilde Frang’s celebrated debut recording (WDR Koln for EMI).

In October 2023, Thomas was a recipient of the Carl Nielsen and Anne-Marie Carl Nielsen’s Foundation award for his outstanding contribution to Danish musical life. In January 2022, Thomas was decorated with a prestigious Royal Order of Chivalry – the Order of Dannebrog (Ridder af Dannebrogordenen) by Her Majesty Margrethe II, Queen of Denmark.

Scotland-based American conductor Kellen Gray is Associate Artist of the RSNO, following his two-year tenure as Assistant Conductor (2021-2023), a post that was supported by the Solti Foundation.

Kellen has earned a reputation as a versatile and imaginative artist, celebrated for his diverse array of traditional and experimental programming, thrilling performances, and provocative multimedia concert experience curation. He is one of the foremost experts and interpreters of the music of African-diasporic composers, for whom he is a passionate advocate and champion. 

Born and raised in Rock Hill, South Carolina, Kellen’s early professional life took him on a diverse path ranging from orchestral violinist to beekeeper, before turning his full-time attention to conducting.

Kellen credits the many folk music styles of the south-eastern United States as his earliest and most impactful musical influences, and his repertoire interests to date have been fuelled by the engaged pursuit of that same spirit of cultural authenticity. This has led to a particular mastery not only of works that incorporate American folk idioms, but also in-depth explorations of heavily folk inspired European composers such as Béla Bartók, Manuel de Falla, and Ralph Vaughan Williams, amongst others.

A passionate champion for African-diasporic composers, Kellen was the Founder & Curator of Charleston Symphony’s Project Aurora: a programming and performance initiative aiming to illustrate the importance of African-American arts and culture as equally valuable to its European equivalent. Additionally, he serves as Assistant Editor & Conductor Liaison for the African Diaspora Music Project, after extensive research at The Center for Black Music Research (CBMR) at Columbia College Chicago.

Kellen’s discography to date comprises two celebrated releases – African American Voices and African American Voices II, made with the Royal Scottish National Orchestra – showcasing music by Margaret Bonds, William Dawson, William Grant Still, Coleridge Taylor Perkinson, Florence Price, and George Walker. Both records have met with the highest critical acclaim, including receiving an elusive 5-star review from the prestigious Diapason magazine.

Kellen’s appointment as Associate Artist of the Royal Scottish National Orchestra – the first position of its kind for the orchestra – marks an unprecedented but organic development following his highly successful tenure as the orchestra’s Assistant Conductor (2021-2023). Previous positions in Kellen’s formative years as a conductor included successful tenures with the Charleston Symphony Orchestra (Associate Conductor, 2018-2023), Chicago Sinfonietta (Conducting Fellow & Assistant Conductor, 2016-2018), and Valdosta Symphony Orchestra (Assistant Conductor, 2014-2016).

Recent and forthcoming guest conducting highlights include engagements with such orchestras as the Baltimore Symphony Orchestra, Cincinnati Symphony, Houston Symphony, Minnesota Orchestra, National Symphony Orchestra (Washington), Philharmonia Orchestra (London), Pittsburgh Symphony Orchestra, and Seattle Opera, amongst others.

“For me, personally, music has been a way to inspire others” – Randall Goosby’s own words sum up perfectly his commitment to being an artist who makes a difference. Signed exclusively to Decca Classics in 2020 at the age of 24, American violinist Randall Goosby is acclaimed for the sensitivity and intensity of his musicianship alongside his determination to make music more inclusive and accessible, as well as bringing the music of under-represented composers to light.

Highlights of Randall Goosby’s 2023/24 season include debut performances with Boston Symphony Orchestra/Andris Nelsons, Washington’s National Symphony Orchestra/Thomas Wilkins, Pittsburgh Symphony Orchestra/Manfred Honeck, Seattle Symphony Orchestra and St Louis Symphony Orchestra both under Christian Reif, with European debuts including a European tour with Rotterdam Philharmonic Orchestra under Yannick Nezet-Seguin, Danish National Radio Symphony/Jukka-Pekka Saraste, Oslo Philharmonic Orchestra/Ryan Bancroft and Lahti Symphony Orchestra/Dalia Stasevska.

During 2023/24 Goosby will be Artist in Residence at London’s Southbank Centre which will include a return to London Philharmonic Orchestra, performing Mozart’s Violin Concerto No.3 under the direction of Gemma New and feature both recital and chamber concerts. Other upcoming recital appearances include Chamber Music Cincinnati, Emory University in Georgia, Elbphilharmonie Recital Hall in Hamburg, Perth Concert Hall in Scotland and La Società dei Concerti in Milan.

Summer 2023 includes Goosby’s debut at the Mostly Mozart Festival under Louis Langrée performing Tchaikovsky’s Violin Concerto as well as at Marlboro Music. Previous engagements have included The Philadelphia Orchestra/Yannick Nezet-Seguin, San Francisco Symphony/Esa-Pekka Salonen, returns to Philharmonia Orchestra/Santtu-Matias Rouvali and Los Angeles Philharmonic/Dalia Stasevska, Royal Scottish National Orchestra/Tabita Berglund, and Dallas Symphony Orchestra/Karina Canellakis. Goosby made his debuts in South Korea in recital and in Japan with Orchestra Ensemble Kanazawa/Kahchun Wong performing Bruch’s Violin Concerto in G minor. In summer 2022, he returned to the Hollywood Bowl with his mentor, Itzhak Perlman and Los Angeles Philharmonic.

In spring 2023, Goosby’s debut concerto album was released for Decca Classics together with Yannick Nézet-Séguin and The Philadelphia Orchestra performing the violin concertos by Max Bruch and Florence Price. Gramophone Magazine observed, “There’s an honesty and modesty…This playing isn’t dressed to impress but to express.”

Goosby’s first album for Decca, entitled Roots, is a celebration of African-American music which explores its evolution from the spiritual through to present-day compositions. Collaborating with pianist Zhu Wang, Goosby curated an album paying homage to the pioneering artists that paved the way for him and other artists of colour. It features three recordings of music written by African-American composer Florence Price, and includes works by composers William Grant Still and Coleridge-Taylor Perkinson plus a newly commissioned piece by acclaimed double bassist Xavier Foley, a fellow Sphinx and Young Concert Artists alumnus.

Goosby is deeply passionate about inspiring and serving others through education, social engagement and outreach activities. He has enjoyed working with non-profit organisations such as the Opportunity Music Project and Concerts in Motion in New York City, as well as participating in community engagement programmes for schools, hospitals and assisted living facilities across the United States. In 2022/23 Goosby hosted a residency with the Iris Collective in Memphis with pianist, Zhu Wang. Together they explore how the students family history can relate to music and building community collaboration through narrative and performances.

Randall Goosby was first prize winner in the 2018 Young Concert Artists International Auditions. In 2019, he was named the inaugural Robey Artist by Young Classical Artists Trust in partnership with Music Masters in London; and in 2020 he became an Ambassador for Music Masters, a role that sees him mentoring and inspiring students in schools around the United Kingdom. In 2010 he won first prize of the Sphinx Concerto Competition, he is a recipient of Sphinx’s Isaac Stern Award and of a career advancement grant from the Bagby Foundation and of the 2022 Avery Fisher Career Grant. An active chamber musician, he has spent his summers studying at the Perlman Music Program, Verbier Festival Academy and Mozarteum Summer Academy among others.

Goosby made his debut with Jacksonville Symphony at age nine and with New York Philharmonic on a Young People’s Concert at Lincoln Center’s Avery Fisher Hall at age 13. A former student of Itzhak Perlman and Catherine Cho, he received his Bachelor’s, Master’s and Artist Diploma degrees from the Juilliard School. He is an alumni of the Perlman Music Program and studied previously with Philippe Quint. He plays the Antonio Stradivarius, Cremona, “ex-Strauss,” 1708 on generous loan from Samsung Foundation of Culture.

See Randall Goosby perform Barber’s Violin Concerto, Mendelssohn’s Violin Concerto and Mendelssohn’s Octet with the RSNO as part of the 2024:25 Season.