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When did you join the RSNO?
I joined the RSNO in January 2003.

Where are you from?
I was born in the south of Hungary in Szeged. It’s a university city about 100 miles from Budapest and has the longest hours of sunshine! (in Hungary).

Where did you study?
I studied at the F. Liszt Academy in Budapest and at the Guildhall School of Music in London.

What do you enjoy most about being in the RSNO?
Having the chance and flexibility to play chamber music because in my opinion it contributes invaluable qualities to being a true musician and to be able to keep those qualities alive and contribute and feel them in the orchestra. Also the comradeship and team spirit. I find the RSNO members have a wicked sense of humor!

Tell us your favourite RSNO story/memory so far.
Easy! A tour to Manchester in November 2008. I met Emily my wife to be who was playing as an extra in the cello section.

What do you enjoy doing when you’re not playing with the Orchestra?
Lots of things. I love playing chamber music especially with my quartet. Also, cooking, jogging by the river, swimming, skiing, studying symbolic modelling, watching good films and oh yes – going out for curry! Yum-yum.

Do you have any hidden talents?
Photography.

If you could have dinner with anyone (alive or dead) who would it be, and why?
With my family. Because it is always eventful and I adore them.

You’re stranded on a desert island. You’re allowed 3 CDs and 1 book. What would they be, and why?
I would take Beethoven’s string quartets Bartok string quartets and Billy Holiday. My “book” would be Bach’s manuscript of the sonatas and partitas for violin. The whole universe is in these works.

Danish conductor Thomas Søndergård is the Music Director of the Royal Scottish National Orchestra, following six seasons as Principal Guest Conductor, as well as the Music Director of the Minnesota Orchestra. Between 2012 and 2018, he served as Principal Conductor of BBC National Orchestra of Wales (BBC NOW), after stepping down as Principal Conductor and Musical Advisor of the Norwegian Radio Orchestra.

He has appeared with many notable orchestras in leading European centres, such as Berlin (including Berliner Philharmoniker, Rundfunk-Sinfonieorchester Berlin, Mahler Chamber Orchestra, Konzerthausorchester Berlin), Munich (Symphonieorchester des Bayerischen Rundfunk), Zurich (Tonhalle Orchester Zurich), Leipzig (Gewandhausorchester), Paris (Orchestre National de France), London (London Philharmonic, BBC Symphony, London Symphony and Philharmonia Orchestra), Amsterdam and Rotterdam (Royal Concertgebouw Orchestra, Netherlands Philharmonic, Rotterdam Philharmonic) and is a familiar figure in Scandinavia, with such orchestras as Oslo Philharmonic, Gothenburg Symphony, Danish National Symphony, Royal Stockholm Philharmonic, Swedish Radio Symphony, Finnish Radio Symphony and Helsinki Philharmonic. North American appearances to date have included the symphony orchestras of New York, Chicago, Cleveland, Cincinnati, Baltimore, St Louis, Toronto, Atlanta, Montreal, Vancouver, Houston and Seattle. He has also made highly successful tours to China, Korea, Australia and New Zealand.

Highlights with the RSNO this season include Mahler’s epic Symphony No. 2, a collaboration with Dunedin Consort, and closing the season with a celebration of the music of Dmitri Shostakovich. With the Minnesota Orchestra in 2024/25, Thomas leads a diverse range of programmes, including a Nordic Composers Festival, concert performances of Puccini’s Turandot, and projects with leading soloists such as Yunchan Lim, Isabelle Faust, Julia Bullock and Bruce Liu. Other highlights for Thomas this season include his debut with Los Angeles Philharmonic, as well as returns to Deutsche Oper Berlin (Elektra), Den Norske Opera (Peer Gynt), and the City of Birmingham Symphony Orchestra. Thomas will also lead a project with the Aarhus Symfoniorkester celebrating the 750th anniversary of the city of Holstebro – his home city.

As part of the 2015 anniversary celebrations of both Sibelius and Nielsen, he conducted a wide variety of their works with many leading orchestras. A passionate supporter of the music of Carl Nielsen, his performances with the Swedish Radio Symphony of his Symphony No. 5 was praised as “equal of the great pioneers of Nielsen interpretation… It’s hard to imagine a finer performance of this remarkable symphony.” (Dagens Nyheter); and in 2019 participated in a special concert to celebrate Nielsen’s works with the Royal Danish Academy of Music Copenhagen.

Following his acclaimed debut for Royal Danish Opera (Kafka’s Trial), he has since returned regularly to conduct a broad repertoire, including Die Walküre, which won the 2022 Reumert Award for Best Opera Production, Elektra, Le nozze di Figaro, Il barbiere di Siviglia, La bohème, Cunning Little Vixen, Il viaggio a Reims; and has also made short concert tours with the Royal Danish Orchestra. He has also enjoyed successful collaborations with Norwegian Opera and Royal Swedish Opera. His Stockholm productions of Tosca and Turandot (both with Nina Stemme) led to his Bayerische Staatsoper debut, conducting main season and Opera Festival performances of Turandot with her and he most recently returned to for the Opera’s Akademiekonzert series. He made his Deutsche Oper Berlin debut with the World premiere of Scartazzini’s Edward II and has since returned for Berlioz’s Romeo and Juliet.

His discography covers a broad range of contemporary and mainstream repertoire, including Carl Nielsen (The Royal Danish Orchestra, Naxos Records), Poul Ruders (Arhus Symphony, Norwegian Radio, Royal Danish Opera (Kafka’s Trial) for Da Capo and Bridge Records); Sibelius symphonies and tone poems with BBC NOW and Prokofiev and Richard Strauss with RSNO for Linn Records; Lutoslawski and Dutilleux concertos with ‘cellist Johannes Moser and Rundfunk Sinfonieorchester Berlin (Pentatone); and Vilde Frang’s celebrated debut recording (WDR Koln for EMI).

In October 2023, Thomas was a recipient of the Carl Nielsen and Anne-Marie Carl Nielsen’s Foundation award for his outstanding contribution to Danish musical life. In January 2022, Thomas was decorated with a prestigious Royal Order of Chivalry – the Order of Dannebrog (Ridder af Dannebrogordenen) by Her Majesty Margrethe II, Queen of Denmark.