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In his sixth decade on the podium, Nic McGegan — long hailed as “one of the finest baroque conductors of his generation” (The Independent) and “an expert in 18th-century style” (The New Yorker) — is recognized for his probing and revelatory explorations of music of all periods. Following a 34-year tenure as Music Director of Philharmonia Baroque Orchestra and Chorale, he is now Music Director Laureate. He is also Principal Guest Conductor of Hungary’s Capella Savaria. At home in opera houses, McGegan shone new light on close to twenty Handel operas as the Artistic Director and conductor at Germany‘s Göttingen Handel Festival for 20 years (1991-2011), and the Mozart canon as Principal Guest Conductor at Scottish Opera in the 1990s. He was also Principal Conductor of Sweden’s Drottningholm Court Theatre from 1993-1996.

Best known as a baroque and classical specialist, McGegan has been a pioneer in broadening the reach of historically informed practice beyond the world of period ensembles to conventional symphonic forces. His guest-conducting appearances with major orchestras — including the New York, Los Angeles, and Hong Kong Philharmonics; the Chicago, Dallas, Milwaukee, Toronto, Sydney, and New Zealand Symphonies; the Philadelphia Orchestra; the Royal Northern Sinfonia and Scottish Chamber Orchestras; and the Amsterdam Concertgebouw — often feature Baroque repertoire alongside Classical, Romantic, 20th-century and even brand-new works. He has also led performances with the Utah Symphony, the City of Birmingham Symphony Orchestra, and the Indianapolis Symphony Orchestra. He collaborates frequently with the Mark Morris Dance Group, including the premiere productions of Rameau’s Platée and Handel’s Acis and Galatea.

McGegan’s prolific discography includes more than 100 releases spanning five decades. Having recorded over 50 albums of Handel, McGegan has explored the depths of the composer’s output with a dozen oratorios and close to twenty of his operas. Since the 1980s, more than twenty of his recordings have been with Hungary’s Capella Savaria on the Hungaroton label, including groundbreaking opera and oratorio recordings of repertoire by Handel, Monteverdi, Scarlatti, Telemann and Vivaldi. Recently, the collaboration has produced albums of Kraus, Mendelssohn, Schubert, a 2-CD set of the complete Mozart violin concerti, and Haydn’s Symphonies 79, 80, and 81. McGegan has also released two recent albums with the Swedish Chamber Orchestra under the BIS label: Josef Mysliveček’s Complete Music for Keyboard with soloist Clare Hammond and an album of early horn concertos with soloist Alec Frank-Gemmill. His extensive discography with Philharmonia Baroque includes two GRAMMY nominees, Handel’s Susana and Haydn’s Symphonies 104, 88, and 101. McGegan’s recent disk of Mozart violin concertos with Gil Shaham (SWR Music) was released to great acclaim, with McGegan’s musicianship praised as ‘enlightened’.

Mr. McGegan is committed to the next generation of musicians, frequently conducting and coaching at Yale University, the Juilliard School, Harvard University, the Colburn School, Aspen Music Festival and School, Sarasota Music Festival, and the Music Academy of the West. He has been awarded the honorary degree of Doctor of Music by the San Francisco Conservatory of Music; an honorary professorship at Georg-August University, Göttingen; and in 2016 was the Christoph Wolff Distinguished Visiting Scholar at Harvard. McGegan’s fun and informative lectures have delighted audiences at Juilliard, Yale Center for British Arts, American Handel Society, and San Francisco Conservatory.

Recent and future engagements in Europe, include performances with Aalborg Symphony Orchestra, Royal Scottish National Orchestra Royal Northern Sinfonia, Oulu Symphony and Antwerp Symphony Orchestra. He also conducts Handel’s Deborah at Herrenhausen with the NDR Radiophilharmonie Hannover and staged productions of Giulio Cesare with Irish Baroque Orchestra and Le Nozze di Figaro for the Royal Danish Opera.

English-born, Nic McGegan was educated at Cambridge and Oxford. He was made an Officer of the Most Excellent Order of the British Empire (OBE) “for services to music overseas.” Other awards include the Halle Handel Prize; the Order of Merit of the State of Lower Saxony (Germany); the Medal of Honour of the City of Göttingen, and a declaration of Nicholas McGegan Day, by the Mayor of San Francisco in recognition of his work with Philharmonia.

See Nicholas McGegan conduct Handel’s Messiah with the RSNO on 2 January 2025. 

Richard Kaufman has devoted much of his musical life to conducting and supervising music for film and television productions, as well as performing film and classical music in concert halls and on recordings. After thirty-one seasons as Principal Pops Conductor of Orange County’s Pacific Symphony, he continues conducting the Orchestra with the new title of Principal Pops Conductor Laureate. He holds the permanent title of Pops Conductor Laureate with the Dallas Symphony, and is in his eighteenth season with the Chicago Symphony Orchestra concert series, CSO at the Movies, conducting classic and contemporary film music, as well as classical music used in motion pictures. Richard regularly appears as a guest conductor with symphony orchestras throughout both the United States and around the world including New York, Cleveland, St. Louis, San Diego, Indianapolis, Utah, Edmonton, the Royal Liverpool Philharmonic, the Royal Scottish National Orchestra, and the National Symphony Orchestra in Dublin, Ireland. Richard has conducted throughout Australia, including sold-out performances at the Sydney Opera House. In 2015, Richard Kaufman made his conducting debut with the Boston Pops, substituting for John Williams at the Annual Pops Film Night. In 2016, Mr. Williams graciously invited him to share the podium at the annual Tanglewood Film Night, and in 2018, he again joined Mr. Williams in concerts with the Chicago Symphony. In 2016, Richard conducted the live performance of Michael Giacchino score for Star Trek Beyond with the San Diego Symphony, accompanying the film in its gala world premiere. It was the first time a film was presented outdoors in IMAX. In September of 2018, Richard conducted special “Boston Pops-style” concerts with the Gewandhaus Orchestra in Leipzig.

With a life-long passion for film music, Richard often conducts programs featuring live performances of entire scores while the film is shown. His live-to-film repertoire includes over thirty films, including Amadeus, Star Wars – A New Hope, Star Wars – The Empire Strikes Back, Star Wars – Return of the Jedi, Jaws, Jurassic Park, E.T., Raiders of the Lost Ark, Home Alone, The Wizard of Oz, Casablanca, Bride of Frankenstein, Psycho, Fantasia, On the Waterfront, Pirates of the Caribbean 1 & 2, Singin’ in the Rain, Vertigo, Silverado, Star Trek 2009, Star Trek Beyond, The Princess Bride, as well as various silent films. In 2014 at the Virginia Arts Festival, Richard conducted the world premiere performance of Stewart Copeland’s score for the 1925 silent classic Ben Hur. Following the premiere, he has joined composer/soloist Stewart Copeland in performances of this exciting work with orchestras including the Chicago Symphony, Pacific Symphony, and the Luxembourg Philharmonie.

Richard received the 1993 Grammy Award in the category of Best Pop Instrumental Performance for a recording he conducted with the Nuremberg Symphony. His recordings include “The High and the Mighty” (Varese Sarabande) with the London Symphony Orchestra. Recorded at Abbey Road Studios, this CD features music from classic and contemporary films about flying. Richard’s other recordings include film music performed by the Brandenburg Philharmonic in Berlin, a second recording with the Nuremberg Symphony celebrating the 100th anniversary of motion pictures, and two critically acclaimed CDs with the New Zealand Symphony Orchestra, conducting the film music of Alfred Newman and Victor Young.

In October of 2011, Richard conducted the London Symphony Orchestra at the Barbican Centre in a concert presenting the film music of Oscar-winning composer Dimitri Tiomkin. This performance is the first film music recording released on the LSO LIVE recording label. It was nominated for a 2013 Grammy (Best Instrumental Accompaniment for a Vocal – “Wild is the Wind” – Arranger Nan Schwartz), and was also among several LSO recordings produced by James Mallinson which received Grammy nominations in the category of “Best Classical Producer”.

He has conducted for performers including John Denver, Andy Williams, Amy Grant, Mary Martin, Nanette Fabray, Herb Alpert and Lani Hall, Stewart Copeland, Martin Short, Sandi Patty, Eileen Ivers, Juliet Prowse, Sir James Galway, Diana Krall, Chris Botti, Michael W. Smith, The Pointer Sisters, Arturo Sandoval, The Beach Boys, Monica Mancini, Peter Paul and Mary, Patty Austin, Robert Goulet, David Copperfield, Davis Gaines, The Righteous Brothers, Martin Short, Jim Brickman, “America”, and Art Garfunkel. As a violinist, Richard performed on numerous film and television scores including Jaws, Close Encounters of the Third Kind, Saturday Night Fever, and (in a moment of desperation) Animal House. He has recorded with artists including John Denver, Burt Bacharach, Neil Sedaka, The Carpenters, Neil Diamond, and Ray Charles.

Richard joined the Music Department of Metro-Goldwyn-Mayer Studios in 1984 as Music Coordinator, and for the next 18 years supervised music for all MGM television and animation projects. He received two Emmy Award nominations, one for the animated series, “The Pink Panther” in the category of Outstanding Music Direction and Composition, and another for Outstanding Original Song co-authored for the series All Dogs Go to Heaven. For the MGM television series In the Heat of the Night, Richard composed songs with Actor/Producer Carroll O’Connor. He conducted scores for films including Guarding Tess and Jungle to Jungle.

As a unique part of his career in film, Richard has coached various actors in musical roles including Jack Nicholson, Dudley Moore, Tom Hanks, Armand Assante, David Ogden Stiers and Susan Sarandon.

Richard has served as Music Director and Conductor for numerous musicals. His first assignment (at age 23) was as conductor for the National Tour of Sweet Charity starring Juliet Prowse. He conducted the First National Tours of Company (for Hal Prince) and Two Gentlemen of Verona (for Joseph Papp and the New York Shakespeare Festival). For the Los Angeles and San Francisco Civic Light Operas, he was Music Director and Conductor for musicals including Wonderful Town (starring Nanette Fabray), Irma La Douce, The Sound of Music (for which he was nominated by the San Francisco Theater Critics for Outstanding Music Direction), and Guys and Dolls (starring Milton Berle). More recently, he served as Music Director/Conductor for semi-staged productions of City of Angels and West Side Story.

Richard was Music Director/Conductor for gala performances celebrating the 50th Anniversaries of both the Los Angeles Music Center, the Los Angeles Center Theater Group, and for UCLA’S 100^th Anniversary Celebration Gala.

In April, 2012 Richard received the “Distinguished Alumni Award” from his alma mater, California State University at Northridge. While a student at CSUN, he composed the University’s Alma Mater and Fight Song. In May 2008, Richard was the keynote speaker for the CSUN Honors Convocation Ceremony. He has appeared as a guest speaker and conductor at various universities including Southern California, Georgia, Furman, Bob Jones, the California State Universities at Northridge and Fullerton, and the University of Liverpool (U.K.). He is on the Board of the Film Music Foundation, and is a member of the Music Advisory Board of the Young Musicians Foundation.

Born in Los Angeles, Richard began violin studies at age 7, played in the Peter Meremblum California Junior Symphony, and was a member of the Young Musicians Foundation Debut Orchestra. He attended the Berkshire Music Festival at Tanglewood in the Fellowship program, and earned a B.A. in Music from California State University Northridge. Richard lives in Southern California with his wife, Gayle, a former dancer in film, television and on Broadway. His daughter, Whitney is a graduate (with honours) from Chapman University in Orange, California. For 2 1/2 years, she was a member of the cast of the National Tour of Mamma Mia!, and has continued her career singing on recording, as well as with numerous symphony orchestras throughout the world.

See Richard Kaufman conduct The Music of John Williams with the RSNO on 1, 2 and 3 May 2025.