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Richard Kaufman has devoted much of his musical life to conducting and supervising music for film and television productions, as well as performing film and classical music in concert halls and on recordings. After thirty-one seasons as Principal Pops Conductor of Orange County’s Pacific Symphony, he continues conducting the Orchestra with the new title of Principal Pops Conductor Laureate. He holds the permanent title of Pops Conductor Laureate with the Dallas Symphony, and is in his eighteenth season with the Chicago Symphony Orchestra concert series, CSO at the Movies, conducting classic and contemporary film music, as well as classical music used in motion pictures. Richard regularly appears as a guest conductor with symphony orchestras throughout both the United States and around the world including New York, Cleveland, St. Louis, San Diego, Indianapolis, Utah, Edmonton, the Royal Liverpool Philharmonic, the Royal Scottish National Orchestra, and the National Symphony Orchestra in Dublin, Ireland. Richard has conducted throughout Australia, including sold-out performances at the Sydney Opera House. In 2015, Richard Kaufman made his conducting debut with the Boston Pops, substituting for John Williams at the Annual Pops Film Night. In 2016, Mr. Williams graciously invited him to share the podium at the annual Tanglewood Film Night, and in 2018, he again joined Mr. Williams in concerts with the Chicago Symphony. In 2016, Richard conducted the live performance of Michael Giacchino score for Star Trek Beyond with the San Diego Symphony, accompanying the film in its gala world premiere. It was the first time a film was presented outdoors in IMAX. In September of 2018, Richard conducted special “Boston Pops-style” concerts with the Gewandhaus Orchestra in Leipzig.

With a life-long passion for film music, Richard often conducts programs featuring live performances of entire scores while the film is shown. His live-to-film repertoire includes over thirty films, including Amadeus, Star Wars – A New Hope, Star Wars – The Empire Strikes Back, Star Wars – Return of the Jedi, Jaws, Jurassic Park, E.T., Raiders of the Lost Ark, Home Alone, The Wizard of Oz, Casablanca, Bride of Frankenstein, Psycho, Fantasia, On the Waterfront, Pirates of the Caribbean 1 & 2, Singin’ in the Rain, Vertigo, Silverado, Star Trek 2009, Star Trek Beyond, The Princess Bride, as well as various silent films. In 2014 at the Virginia Arts Festival, Richard conducted the world premiere performance of Stewart Copeland’s score for the 1925 silent classic Ben Hur. Following the premiere, he has joined composer/soloist Stewart Copeland in performances of this exciting work with orchestras including the Chicago Symphony, Pacific Symphony, and the Luxembourg Philharmonie.

Richard received the 1993 Grammy Award in the category of Best Pop Instrumental Performance for a recording he conducted with the Nuremberg Symphony. His recordings include “The High and the Mighty” (Varese Sarabande) with the London Symphony Orchestra. Recorded at Abbey Road Studios, this CD features music from classic and contemporary films about flying. Richard’s other recordings include film music performed by the Brandenburg Philharmonic in Berlin, a second recording with the Nuremberg Symphony celebrating the 100th anniversary of motion pictures, and two critically acclaimed CDs with the New Zealand Symphony Orchestra, conducting the film music of Alfred Newman and Victor Young.

In October of 2011, Richard conducted the London Symphony Orchestra at the Barbican Centre in a concert presenting the film music of Oscar-winning composer Dimitri Tiomkin. This performance is the first film music recording released on the LSO LIVE recording label. It was nominated for a 2013 Grammy (Best Instrumental Accompaniment for a Vocal – “Wild is the Wind” – Arranger Nan Schwartz), and was also among several LSO recordings produced by James Mallinson which received Grammy nominations in the category of “Best Classical Producer”.

He has conducted for performers including John Denver, Andy Williams, Amy Grant, Mary Martin, Nanette Fabray, Herb Alpert and Lani Hall, Stewart Copeland, Martin Short, Sandi Patty, Eileen Ivers, Juliet Prowse, Sir James Galway, Diana Krall, Chris Botti, Michael W. Smith, The Pointer Sisters, Arturo Sandoval, The Beach Boys, Monica Mancini, Peter Paul and Mary, Patty Austin, Robert Goulet, David Copperfield, Davis Gaines, The Righteous Brothers, Martin Short, Jim Brickman, “America”, and Art Garfunkel. As a violinist, Richard performed on numerous film and television scores including Jaws, Close Encounters of the Third Kind, Saturday Night Fever, and (in a moment of desperation) Animal House. He has recorded with artists including John Denver, Burt Bacharach, Neil Sedaka, The Carpenters, Neil Diamond, and Ray Charles.

Richard joined the Music Department of Metro-Goldwyn-Mayer Studios in 1984 as Music Coordinator, and for the next 18 years supervised music for all MGM television and animation projects. He received two Emmy Award nominations, one for the animated series, “The Pink Panther” in the category of Outstanding Music Direction and Composition, and another for Outstanding Original Song co-authored for the series All Dogs Go to Heaven. For the MGM television series In the Heat of the Night, Richard composed songs with Actor/Producer Carroll O’Connor. He conducted scores for films including Guarding Tess and Jungle to Jungle.

As a unique part of his career in film, Richard has coached various actors in musical roles including Jack Nicholson, Dudley Moore, Tom Hanks, Armand Assante, David Ogden Stiers and Susan Sarandon.

Richard has served as Music Director and Conductor for numerous musicals. His first assignment (at age 23) was as conductor for the National Tour of Sweet Charity starring Juliet Prowse. He conducted the First National Tours of Company (for Hal Prince) and Two Gentlemen of Verona (for Joseph Papp and the New York Shakespeare Festival). For the Los Angeles and San Francisco Civic Light Operas, he was Music Director and Conductor for musicals including Wonderful Town (starring Nanette Fabray), Irma La Douce, The Sound of Music (for which he was nominated by the San Francisco Theater Critics for Outstanding Music Direction), and Guys and Dolls (starring Milton Berle). More recently, he served as Music Director/Conductor for semi-staged productions of City of Angels and West Side Story.

Richard was Music Director/Conductor for gala performances celebrating the 50th Anniversaries of both the Los Angeles Music Center, the Los Angeles Center Theater Group, and for UCLA’S 100^th Anniversary Celebration Gala.

In April, 2012 Richard received the “Distinguished Alumni Award” from his alma mater, California State University at Northridge. While a student at CSUN, he composed the University’s Alma Mater and Fight Song. In May 2008, Richard was the keynote speaker for the CSUN Honors Convocation Ceremony. He has appeared as a guest speaker and conductor at various universities including Southern California, Georgia, Furman, Bob Jones, the California State Universities at Northridge and Fullerton, and the University of Liverpool (U.K.). He is on the Board of the Film Music Foundation, and is a member of the Music Advisory Board of the Young Musicians Foundation.

Born in Los Angeles, Richard began violin studies at age 7, played in the Peter Meremblum California Junior Symphony, and was a member of the Young Musicians Foundation Debut Orchestra. He attended the Berkshire Music Festival at Tanglewood in the Fellowship program, and earned a B.A. in Music from California State University Northridge. Richard lives in Southern California with his wife, Gayle, a former dancer in film, television and on Broadway. His daughter, Whitney is a graduate (with honours) from Chapman University in Orange, California. For 2 1/2 years, she was a member of the cast of the National Tour of Mamma Mia!, and has continued her career singing on recording, as well as with numerous symphony orchestras throughout the world.

See Richard Kaufman conduct The Music of John Williams with the RSNO on 1, 2 and 3 May 2025.

Dunedin Consort is one of the world’s leading Baroque ensembles, recognised for its vivid and insightful performances and recordings. Formed in 1995 and named after Din Eidyn, the ancient Celtic name for Edinburgh Castle, Dunedin Consort’s ambition is to allow listeners to hear early music afresh, and to couple an inquisitive approach to historical performance with a commitment to commissioning and performing new music. Under the direction of John Butt, the ensemble has earned two coveted Gramophone Awards – for the 2007 recording of Handel’s Messiah and the 2014 recording of Mozart’s Requiem – and a Grammy nomination.

Dunedin Consort performs regularly at major festivals and venues across the UK, including the BBC Proms, Edinburgh International Festival and Lammermuir Festival, with whom it enjoys close associations. In 2017, Dunedin Consort announced its first residency at London’s Wigmore Hall, which continues to this day and complements its regular series of events at home in Scotland, as well as throughout Europe and beyond. The group’s growing discography on Linn Records includes Handel’s Acis and Galatea and Bach’s Brandenburg Concertos, both nominated for Gramophone Awards. Other Bach recordings include Mass in B Minor, Violin Concertos, Magnificat, Christmas Oratorio, Matthew Passion and John Passion, which was nominated for a Recording of the Year award in both Gramophone and BBC Music Magazine. A recording of Handel’s Samson, in its first version of 1743, was released in October 2019, receiving Editor’s Choice accolades across the board.

Alongside its performance and recording work, Dunedin Consort is committed to a wide-ranging education programme both in schools and in the wider community. In inspiring and encouraging musical participation, developing vocal skills and fostering a love of classical music, historical performance and new music, Dunedin Consort aims to develop and nurture its potential audience and to encourage the performers of the future.

While Dunedin Consort is committed to performing repertoire from the baroque and early classical periods, and to researching specific historical performance projects, it remains an enthusiastic champion of contemporary music. In recent years the ensemble has commissioned and premiered new music by composers including Stuart Macrae, Ailie Robertson, Ninfea Cruttwell-Reade, William Sweeney, Nico Muhly, Peter Nelson, Stevie Wishart and Sally Beamish. In 2019 it premiered four new co-commissions with the BBC Proms, and in 2021 premiered Dido’s Ghost, a new opera by Errollyn Wallen, co-commissioned with the Barbican Centre, Edinburgh International Festival, Buxton International Festival, Mahogany Opera and Philharmonia Baroque Orchestra & Chorale.