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Jonathon Heyward is forging a career as one of the most exciting conductors on the international scene. He currently serves as Music Director of the Baltimore Symphony Orchestra, having made his debut with BSO in March 2022 in three performances that included the first-ever performance of Shostakovich’s Symphony No. 15. From summer 2024, Jonathon will become Renée and Robert Belfer Music Director of Lincoln Center’s Summer Orchestra. This appointment follows a highly acclaimed Lincoln Center debut with the Mostly Mozart Festival Orchestra in summer 2022, as part of their Summer for the City festival.

Currently in his fourth year as Chief Conductor of the Nordwestdeutsche Philharmonie, in summer 2021, Jonathon took part in an intense, two-week residency with the National Youth Orchestra of Great Britain which led to a highly acclaimed BBC Proms debut. According to The Guardian, Jonathon delivered “a fast and fearless performance of Beethoven’s Eroica Symphony, in which loud chords exploded, repeating like fireworks in the hall’s dome, and the quietest passages barely registered. It was exuberant, exhilarating stuff.”

Jonathon’s recent and future guest conducting highlights in the United Kingdom include debuts and re-invitations with the London Symphony Orchestra, BBC National Orchestra of Wales, BBC Symphony, Royal Scottish National Orchestra, The Hallé in Manchester, National Symphony Orchestra in Dublin, and Scottish Chamber Orchestra. In continental Europe, amongst Jonathon’s recent and forthcoming debuts are collaborations with the Castilla y León Symphony, Galicia Symphony, Danish National Symphony, Basel Symphony, Orchestre de Chambre de Lausanne, Brussels Philharmonic, Orchestre National Bordeaux Aquitaine, Tonhalle Düsseldorf, Hamburg Symphony and MDR-Leipzig Symphony.

In 2021, Jonathon made his Wolf Trap debut conducting the National Symphony Orchestra in Washington DC, and in 2023 he made his debut with the Chicago Symphony at the Ravinia Festival. Further significant highlights in the United States include collaborations with the New York Philharmonic; the Atlanta, Detroit, Houston, Seattle, and St Louis symphonies; and the Minnesota Orchestra.

Equally at home on the opera stage, Jonathon recently made his Royal Opera House debut with Hannah Kendall’s Knife of Dawn, having also conducted a Kurt Weill’s Lost in the Stars with the Los Angeles Chamber Orchestra, as well as the world premiere of Giorgio Battistelli’s new opera, Wake, in a production by Graham Vick for the Birmingham Opera Company.

Born in Charleston, South Carolina, Jonathon began his musical training as a cellist at the age of ten and started conducting while still at school. He studied conducting at the Boston Conservatory of Music, where he became assistant conductor of the prestigious institution’s opera department and of the Boston Opera Collaborative, and he received postgraduate lessons from Sian Edwards at London’s Royal Academy of Music. Before leaving the Academy, he was appointed assistant conductor of the Hallé Orchestra, where he was mentored by Sir Mark Elder, and became Music Director of the Hallé Youth Orchestra. In 2023, he was named a Fellow of the Royal Academy of Music; an honour reserved for Academy alumni.

Jonathon’s commitment to education and community outreach work deepened during his three years with the Hallé and has flourished since he arrived in post as Chief Conductor of the Nordwestdeutsche Philharmonie in January 2021. He is equally committed to including new music within his imaginative concert programs.

See Jonathon Heyward conduct Shostakovich Symphony No8 with the RSNO on 3, 4 and 5 April 2025.

Matthew Brook is known for his honest and open portrayal of characters whether on the opera or concert stage. He leapt to fame with his 2007 Gramophone Award-winning recording of Handel’s Messiah with the Dunedin Consort, followed by equally critically acclaimed recordings of Acis and Galatea and St Matthew Passion. He has appeared as a soloist throughout Europe, Australia, North and South America and the Far East, and has worked with many of the world’s leading conductors. He has developed a world-wide reputation for his interpretation of the music of J.S Bach and George Frederic Handel but his musical tastes stretch far beyond this, often performing new commissions.

Other concert repertoire he performs regularly include pieces such as Beethoven Ninth Symphony and Missa Solemnis, Berlioz L’Enfance du Christ, Brahms’ Requiem, Elgar Dream of Gerontius, Haydn Die Schöpfung and Die Jahreszeiten, Mendelssohn Elijah, Tippett A Child of Our Time and Walton’s Belshazzar’s Feast.

Matthew has enjoyed long collaborations with conductors including Sir Andrew Davis, Harry Bicket, Bernhard Labadie, Christophe Rousset, John Nelson, Sir John Eliot Gardiner, Philippe Herreweghe, John Butt, Harry Christophers, Paul McCreesh and the late Sir Charles Mackerras, Sir Roger Norrington and Richard Hickox. He has also collaborated with Richard Tognetti, Sir Mark Elder, Emmanuelle Haïm, Laurence Equilbey, Maxim Emelyanchev, Mirga Gražinytė-Tyla and Christian Curnyn.

In 2023 Matthew made his Opéra national de Paris debut performing the role of Il Re di Scozia in a new Robert Carsen production of Ariodante under Harry Bicket. He has performed roles at Staatstheater Stuttgart, Opera Comique, Göttingen International Handel Festival, The Grand Théâtre de Luxembourg and at the Maggio Musicale Fiorentino. Some of Matthew’s roles have included Polyphemus Acis and Galatea, Aeneas Dido and Aeneas, Papageno Die Zauberflöte, Figaro Le nozze di Figaro, Leporello Don Giovanni, Kouno Der Freischütz, Garibaldo Rodelinda, Ned Keene Peter Grimes, Vicar Albert Herring, Noye Noye’s Fludde, John Bunyan and Lord Hategood in Vaughan Williams’s The Pilgrim’s Progress, Melchior in Menotti’s Amahl and the Night Visitors, Jupiter in Rameau’s Castor et Pollux, Starek and Mayor Jenufa, Antenor and Calkas in Walton’s Troilus and Cressida, Zuniga Carmen, Argenio Imeneo, Claudio Agrippina and Seneca in L’incoronazione di Poppea. He assumed the roles of Don Alfonso and Bartolo under Sir John Elliott Gardiner as part of a big European tour including at the Royal Opera House, Covent Garden, Salle Pleyel, Paris, Teatro Real, Madrid and Giuseppe Verdi Opera House, Pisa.

Matthew has an extensive discography resulting in many nominations and awards including several Gramophone awards for the music of Handel and Bach and a Grammy nomination for the Mozart Requiem. His recent recording Bach: Ich habe genug with the Dunedin Consort for the Linn label won the choral award in the 2022 BBC Music Magazine Awards. Some other recording highlights include, Handel’s Ariodante with Joyce DiDonato and Il Complesso Barocco for the Erato label under Alan Curtis, Idomeneo with the late Sir Charles Mackerras for EMI, and Counsel Trial By Jury and Friar Tuck in Sullivan’s Ivanhoe with the BBC National Orchestra of Wales for Chandos records. He is also soloist for a BBC television recording of Berlioz’s L’Enfance du Christ under the late Richard Hickox.

Future releases will include a new recording of Handel’s Messiah with John Nelson, the English Concert and Choir and a recording of Purcell’s Dido and Aeneas with David Bates and La Nuova Musica.

Recent highlights include the role of Aeneas in the world premiere of Errollyn Wallen’s Dido’s Ghost co-commissioned by the Dunedin Consort with the Barbican Centre, Edinburgh International Festival, Buxton International Festival and Philharmonia Baroque Orchestra & Chorale, a return to the Edinburgh International Festival for a special performance of Mozart’s Die Zauberflöte with Maxim Emelyanchev and the SCO, and Beethoven’s Ninth Symphony with the Royal Philharmonic under Vasily Petrenko.

This season, Matthew makes his debut with Opera North in David Poutney’s “Masque of Might”, music by Purcell, conducted by Harry Bicket, returns to Grange Park Opera, and gives performances with the Czech Philharmonic, Rotterdam Philharmonic, Philharmonia Baroque, Handel and Haydn Society Boston and closer to home with the Academy of Ancient Music, English Concert, Dunedin Consort, The Hallé and Royal Northern Sinfonia to name a few.

See Matthew Brook perform Sir James MacMillan’s Since it was the Day of Preparation… with Dunedin Consort and Hebrides Ensemble on 27 October 2024.

Ellie Slorach is the RSNO’s Engagement Conductor.

Alongside her work at the RSNO, Ellie is the Founder and Artistic Director of Kantos Chamber Choir and works across the UK and internationally with orchestras and choirs.

In the 2023-24 season, Ellie makes her debut with the Royal Northern Sinfonia at Sage Gateshead and with New Adventures’ production of Edward Scissorhands at Sadler’s Wells. She returns to the Royal Liverpool Philharmonic Orchestra, BBC Philharmonic, BBC Singers, Royal Scottish National Orchestra, Orchestra of Opera North and Manchester Camerata.

Specialising in concerts for schools and young people, Ellie has worked with orchestras including The Hallé and the Orchestre Philharmonique Royal de Liège, where she was the Assistant Conductor to Gergely Madaras in 2021-22. She is often invited to work with youth and student orchestras and choirs, including having been Musical Director of the Hallé Youth Orchestra. 

Ellie regularly works on opera productions; she conducted Northern Opera Group’s production of Handel’s ‘Silla’ in 2022 and returns as Musical Director for their headline production of ‘Sherlock’ in 2024 at the Leeds Opera Festival. She was co-Musical Director for the Royal Opera House’s production of Lost & Found at St Pancras International station in 2022 and was the Assistant Conductor for Opera Holland Park’s Rigoletto in June 2023.

In 2015, Ellie founded Kantos Chamber Choir; this trailblazing vocal ensemble is at the cutting edge of choral singing in the UK. Kantos performs unique and innovative concerts, devised by Ellie, to sell-out audiences, in venues ranging from nightclubs to concert halls. The choir regularly perform and record with orchestras including the Royal Liverpool Philharmonic Orchestra and the BBC Philharmonic, on labels including Decca Classics.

Ellie studied Conducting at the Royal Northern College of Music having previously studied Music at the University of Manchester.