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British conductor Adam Hickox (born in 1996) has been described by the Boston Musical Intelligencer as a “consummate, well-mannered musician of skill”. He brings to the podium an impressive and elegant fluidity of technique and mature interpretations of a wide range of repertoire which is fast building him a reputation both on the concert stage and in the opera house. In December 2023, following his successful debut at Glyndebourne Autumn Opera conducting Donizetti L’Elisir d’amore, he was appointed Principal Conductor of The Glyndebourne Sinfonia which will see him returning to Glyndebourne to conduct opera productions and concert performances as part of the autumn seasons 2024 and 2025.

The 23/24 season includes many debuts for Hickox – these include the Philharmonia Orchestra at London’s South Bank Centre, the Deutsche Symphony Orchestra Berlin at the Berlin Philharmonie, the Orchestre de la Suisse Romande, Norwegian Opera, BBC Philharmonic, Iceland Symphony, St Gallen Symphony orchestras amongst others and returns to the Royal Philharmonic, Rotterdam Philharmonic and BBC Symphony orchestras, all of whom he is now conducting regularly.

In recent seasons, Hickox has conducted the Orchestre de Paris, BBC Scottish Symphony, BBC Symphony in the studio and at the Barbican Centre in a concert celebrating the works of the legendary author Ian McEwan, the Ulster Orchestra, Orquesta Sinfónica de Castilla y León, Gävle Symphony and the National Symphony Orchestra (Ireland). In the opera house, he has conducted Tosca at Opera North, a new production of Hansel and Gretel at the Royal Scottish Conservatoire and in the coming seasons will make his debut at Hamburg State Opera.

Hickox studied music and composition with Robin Holloway at Gonville and Caius College Cambridge, and conducting with Sian Edwards at the Royal Academy of Music. He was Assistant Conductor of the Rotterdam Philharmonic from 2019-2022 working closely with Lahav Shani, and in 2021 he was invited to Tanglewood as one of the Festival’s two Conducting Fellows, where he worked alongside Nelsons, Blomstedt and Gilbert with the TMC Orchestra, as well as giving performances of his own at the Koussevitzky Music Shed. Hickox also took part in the fellowship’s corresponding residency with the Gewandhausorchester Leipzig.

Daniel Müller-Schott is one of the most sought-after cellists in the world and can be heard on all the great international concert stages. For many years he has been enchanting audiences as an ambassador for classical music in the 21^st century and as a bridge builder between music, literature, and the visual arts. Daniel Müller-Schott attaches great importance to discussion concerts and performances in unusual places, such as recently in a Hamburg club together with musicians of the NDR Elbphilharmonie Orchestra. The New York Times refers to his “intensive expressiveness” and describes him as a “fearless player with technique to burn”.

Daniel Müller-Schott guests with international leading orchestras; in the US with the orchestras in New York, Boston, Cleveland, Chicago, Philadelphia, San Francisco and Los Angeles; in Europe the Berliner Philharmoniker, the Gewandhausorchester Leipzig, Bayrisches Staatsorchester and Münchner Philharmoniker, the Radio Orchestras from Berlin, Munich, Frankfurt, Stuttgart, Leipzig, Hamburg, Copenhagen, Prague and Paris, the Tonhalle-Orchester Zurich and Zurcher Kammerorchester, Oslo Philharmonic, the London Symphony and Philharmonic Orchestra, the City of Birmingham Symphony Orchestra, the Netherlands Philharmonic Orchestra and the Spanish National Orchestra as well as in Australia with the Sydney and Melbourne Symphony Orchestra and in Asia with Tokyo’s NHK Symphony Orchestra, Taiwan’s National Symphony Orchestra, Singapore Symphony and Seoul Philharmonic Orchestra.

Daniel Müller-Schott has appeared worldwide in concert with such renowned conductors as Marc Albrecht, Karina Canellakis, Thomas Dausgaard, Christoph Eschenbach, Iván Fischer, Alan Gilbert, Gustavo Gimeno, Manfred Honeck, Neeme Järvi, Cristian Măcelaru, Susanna Mälkki, Juanjo Mena, Andris Nelsons, Gianandrea Noseda, Andrés Orozco-Estrada, Kirill Petrenko, Vasily Petrenko, Jukka-Pekka Saraste, Alexander Shelly, Dalia Stasevska and Krzysztof Urbański. A long-standing collaboration connected him with Yakov Kreizberg, Kurt Masur, Lorin Maazel and Sir André Previn.

Daniel Müller-Schott performs with great passion not only the great cello concertos from the baroque to the modern. The discovery of unknown works, the expansion of the cello repertoire, for example through his own arrangements, as well as the collaboration with the composers of our time, also have a permanent place in his concerts. George Alexander Albrecht, Sir André Previn and Peter Ruzicka have dedicated Cello Concertos to him.

To create a higher intensity of perception between music, visual arts and literature is Daniel Müller-Schott’s artistic credo. He often writes and gives introductions about the background of the music and the composers. At his festival in Vevey, Daniel Müller-Schott initiated for the first time a Bach project with dance for a visual realization of the music. The cellist developed a great affinity for the fine arts, particularly for 19th-century French painting.

Highlights in Daniel Müller-Schott‘s seaon 2023 / 24 are in late summer his live TV appearance at the summer concert of the NRW state government, concerts with the Orchestra della Svizzera Italiana / Krzysztof Urbański, Rotterdam Philharmonic / Andres Orozco-Estrada, Beethoven Orchestra Bonn / Dirk Kaftan, Qatar Philharmonic Orchestra / Elias Grandy and Seoul Philharmonic / Jaap van Zweden during one of his Asian tours, where Daniel Müller-Schott will again perform with Taiwan Philharmonic / Jun Märkl. Other Asian tours are on Daniel Müller-Schott’s schedule: a recital and chamber music tour to Korea and Taiwan. In a trio with Julia Fischer and Yulianna Avdeeva, Daniel Müller-Schott will tour Europe in early summer next year. In May 2024, the 3rd edition of his Swiss festival “Vevey Spring Classic – Mentoring the Future of Classic” will take place.

International music festivals regularly invite Daniel Müller-Schott. In his chamber music concerts, Daniel Müller-Schott collaborates inter alia with Kit Armstrong, Renaud Capuçon, Veronika Eberle, Julia Fischer, Janine Jansen, Igor Levit, Sabine Meyer, Nils Mönkemeyer, Anne-Sophie Mutter, Francesco Piemontesi, Emmanuel Tjeknavorian, Simon Trpčeski and with the Modigliani and Aris Quartet.

Daniel Müller-Schott has been involved for many years in the project “Rhapsody in School”.

In a career spanning more than twenty-five years, Daniel Müller-Schott has produced an extensive discography that has won him international awards. It includes, among others, compositions by Bach, Beethoven, Brahms, Mozart, Haydn, Schumann, Grieg, Mendelssohn, Prokofiev, Schubert, Khachaturian, Shostakovich, Strauss, Tchaikovsky, Elgar, Walton, Britten Dvořák, Lalo, Honegger and Saint-Saëns.

Daniel Müller-Schott studied under Walter Nothas, Heinrich Schiff and Steven Isserlis. He was supported personally by Anne-Sophie Mutter and received, among other things, the Aida Stucki Prize as well as a year of private tuition under Mstislaw Rostropovich. At the age of fifteen, Daniel Müller-Schott won the first prize at the International Tchaikovsky Competition for Young Musicians in 1992 in Moscow.

Daniel Müller-Schott plays the “Ex Shapiro” Matteo Goffriller cello, made in Venice in 1727.

See Daniel Müller-Schott perform Shostakovich’s Cello Concerto No2 with the RSNO on 6 and 7 June 2025.

For decades now, Elisabeth Leonskaja has been among the most celebrated pianists of our time. In a world dominated by the media, Elisabeth Leonskaja has remained true to herself and to her music, and in doing so, is following in the footsteps of the great Russian musicians of the Soviet era, such as David Oistrakh, Sviatoslav Richter and Emil Gilels, who never wavered in their focus on the quintessence of music despite working in a very difficult political environment. Her almost legendary modesty still makes her somewhat media-shy today. Yet as soon as she walks out on the stage, audiences can sense the force behind the fact that music is and always has been her life’s work.

 Born in Tbilisi, Georgia, to a Russian family, she gave her first concerts as early as age 11. Her exceptional talent soon brought her to study at the Moscow Conservatory.

While still a student at the Conservatory, she won prizes in the prestigious Enescu, Marguerite Long and Queen Elizabeth international piano competitions. 

Elisabeth Leonskaja’s musical development was shaped or influenced to a decisive degree by her collaboration with Sviatoslav Richter. The master recognized her exceptional talent and fostered her development not only through teaching and musical advice, but also by inviting her to play numerous duets with him. A memorable musical event! The musical partnership and personal friendship between Sviatoslav Richter and Elisabeth Leonskaja endured until Richter’s death in the year 1997. In 1978 Elisabeth Leonskaja left the Soviet Union and made her new home in Vienna. Her sensational performance at the Salzburg Festival in 1979 marked the beginning of her steadily blossoming career as a concert pianist in the west.

In addition to her many solo engagements, chamber music remains an important part of her work. She has performed many times with string quartets, such as the Belcea, Borodin Artemis and Jerusalem quartets. She also had a longstanding musical friendship with the Alban Berg Quartet, and their piano quintet recordings are legendary.

Numerous recordings bear testimony to the outstanding artistic achievements of this pianist and she has been awarded prizes such as the Caecilia Prize for her Brahms piano sonatas, or the Diapason d´Or for her recordings of works by Liszt. Other significant recordings include the Tchaikovsky Piano Concertos with the New York Philharmonic Orchestra under Kurt Masur, the Chopin Piano Concertos with the Czech Philharmonic Orchestra under Vladimir Ashkenazy, and the Shostakovich Piano Concertos with the Saint Paul Chamber Orchestra.

Her recording “Paris”, released by eaSonus, with works by Ravel, Enescu and Debussy, was named the Solo Recording of the Year 2014 by the ICMA Jury. “Saudade”, an homage to Russian culture with works by Tchaikovsky, Shostakovich and Rachmaninoff, was released in November 2017. A complete recording of Franz Schubert’s piano sonatas in two volumes of four CDs each has been available since April 2016 and May 2019 respectively. A double-CD with variations and sonatas by Robert Schumann followed in January 2020. Since 2021 a new recording relationship has begun with WARNER. A Mozart Sonatas Cycle and the Beethoven Concertos nr 3 and 4 have been released already. The Schumann and Grieg piano concertos and a recording of the works for piano solo of the 2nd Viennese school will follow.

In her second homeland, Austria, Elisabeth Leonskaja is an honorary member of the Vienna Konzerthaus. In 2006 she was awarded the Austrian Cross of Honor for Science and Art, First Class, for her outstanding service to the culture of the country. It is the highest award in Austria. In Georgia, she was named Priestess of Art in 2016, this country’s highest artistic honor. In 2020 she received the International Classical Music (ICMA) Lifetime Achievement Award.

See Elisabeth Leonskaja perform Beethoven’s Emperor Concerto with the RSNO on 23, 25 and 26 October 2024.

Ethan was born in 2004 and diagnosed completely blind since birth. As a toddler, he would explore the piano for hours imitating his first inspiration, Rowlf – the piano-playing dog from the Muppet Show. His other inspiration, the DVD “Horowitz in Vienna”, he played relentlessly. His formal piano lessons began at age four with his mother, but he now studies with Fali Pavri at the Royal Conservatoire of Scotland. He has been composing since early childhood and loves to tell imaginative stories in his compositions.

Ethan’s first major concert was at a Music in Lanark event where he also debuted his first major composition work, “Wallace at Lanark”, illustrating the life of Scottish hero William Wallace. He was also the focus of a BBC radio documentary called ‘Batman and Ethan’, about the freedom a blind child can experience through working with the talented teacher of the blind, Daniel Kish.

In 2016, Ethan was awarded his first major international award at the Vatican. He received the Premio Asoluto prize at the 15th International ‘Giuseppe Sciacca’ awards in Rome, for his ability to create music “full of colours” as an inspiration to all. In 2017, Ethan won the 7th James Waterhouse Loretto Piano Competition “Advanced” class. As part of that prize, he performed at Steinway Hall in London. Ethan has twice participated in the wonderful Festival of Chopin in Mazovia, Poland. He won the 3rd and then the 4th categories. He performed at Chopin’s house and later for the Warsaw Music Society. He was also a finalist in the EPTA Belgium International Piano Competition in 2018.

In 2019, Ethan received his ATCL (Associate of Trinity College London) with a mark of 92/100 at the age of 14. During this year, Ethan also won the Scottish International Youth Piano Competition as part of the Moray Prize at the Royal Conservatoire of Scotland.

Over covid lockdown 2020, every Saturday at 8pm Ethan showcased a short 15-minute concert on his YouTube channel. He recorded 44 concerts over the year.

In 2022, after a year of competing, Ethan won the 2022 BBC Young Musician Keyboard Category Final with the judges saying, “Ethan found orchestral colours on the piano like no-one else can.” He was also featured on The List, Top 100 People to Watch in 2022.

In the summer of 2023 Ethan was awarded a place at the Verbier Academy as a piano soloist.

Ethan’s first CD, ‘Mysterious Pathways Volume One’ was featured on Classic FM and on a Canadian Broadcasting Corporation radio documentary featuring his collaboration with the Canadian artist Tony Luciani who painted the cover image. His second album, ‘Mysterious Improvisations 2020’, is a collection of one-shot, single-take classical improvisations.

Ethan has made three TV appearances to date. The first was on BBC’s The One Show, and the second in May 2018 on the ITV show Little Big Shots where he enjoyed chatting to Dawn French and performing both on his own and as a duet with young Romanian singer and harpist Daria. His third appearance was on the BBC Young Musician 2022 competition where he won the category final (keyboard) and performed the Chopin Piano Concerto No.1. The final was won by percussionist Jordan Ashman.

Ethan is busy studying at the Royal Conservatoire of Scotland and playing around the UK in both solo and concerto work including concerts with the Bournemouth Symphony Orchestra with Mark Wigglesworth, Manchester Camerata Orchestra as a guest artist, the BBC Scottish Symphony Orchestra and the Royal Scottish National Orchestra.

See Ethan Loch perform Beethoven’s Piano Concerto No1 with the RSNO on 29 and 30 November 2024. 

“But performing music out of intimacy also characterises Isabelle Faust’s playing. The exploration of depths and beauty on the basis of an almost eternal breath is enchanting and affects the audience. She shows how rich simplicity can be.” Maximilian Maier, Münchner Merkur, May 2022.

Isabelle Faust captivates her audience with her compelling interpretations. She dives deep into every piece considering the musical historical context, historically appropriate instruments and the greatest possible authenticity according to a contemporary state of knowledge. Thus, she manages to constantly illuminate and passionately perform the repertoire of a wide variety of composers.

After winning the renowned Leopold Mozart Competition and the Paganini Competition at a very young age, she soon gave regular performances with the world’s major orchestras including the Berlin Philharmonic, Boston Symphony Orchestra, NHK Symphony Orchestra Tokyo, the Chamber Orchestra of Europe, Les Siècles and the Baroque Orchestra Freiburg.

This led to close and sustained cooperation with conductors like Andris Nelsons, Giovanni Antonini, François-Xavier Roth, Sir John Eliot Gardiner, Daniel Harding, Philippe Herreweghe, Jukka-Pekka Saraste, Klaus Mäkelä and Robin Ticciati.

Isabelle Faust’s vast artistic curosity includes all eras and forms of instrumental cooperation. Thus she never considers music as an end in itself but rather advances the piece’s essence in a devoted, subtle and conscientious way. In addition to big symphonic violin concertos this includes for instance Schubert’s octet with historical instruments as well as Stravinsky’s “L’Histoire du Soldat” with Dominique Horwitz or Kurtág’s “Kafka Fragments”. With great commitment she renders an outstanding service to the performance of contemporary music, recent world premieres include works by Péter Eötvös, Brett Dean, Ondřej Adámek and Rune Glerup.

Recent highlights include concerts with the Berlin Philharmonic, Vienna Symphony, Oslo Philharmonic Orchestra, Helsinki Philharmonic Orchestra, Baroque Orchestra Freiburg, WDR Symphony Orchestra Cologne, as well as tours with Il Giardino Armonico, the English Baroque Solists, AKAMUS Berlin, Basel Chamber Orchestra, Mahler Chamber Orchestra and the Orchestre des Champs-Elysées.

Chamber music engagements comprise collaborations with Sol Gabetta, Jean-Guihen Queyras, Antoine Tamestit, Jörg Widmann, Alexander Melnikov and Pierre-Laurent Aimard. This exciting season is completed by solo concerts and Kurtág’s “Kafka Fragments” with Anna Prohaska at the Musikverein Vienna.

Numerous recordings have been unanimously praised by critics and awarded the Diapason d’or, the Grammophone Award, the Choc de l’année and other prizes. The most recent recordings include Schoenberg’s Violin Concerto under the baton of Daniel Harding and with the Swedish Radio Symphony Orchestra, as well as Beethoven’s Triple Concerto with Alexander Melnikov, Jean-Guihen Queyras, Pablo Heras-Casado and the Freiburger Barockorchester. Isabelle Faust presented further popular recordings among others of the Sonatas and Partitas for violin solo by Johann Sebastian Bach as well as violin concertos by Ludwig van Beethoven and Alban Berg under the direction of Claudio Abbado. She shares a long-standing chamber music partnership with the pianist Alexander Melnikov. Among others, joint recordings with sonatas for piano and violin by Wolfgang Amadeus Mozart, Ludwig van Beethoven and Johannes Brahms have been released.

See Isabelle Faust perform at Nordic Music Days with the RSNO on 1 and 2 November 2024.