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Soprano Julie Roset

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As the First Prize winner at Operalia 2023 and Grand Winner of the 2022 Metropolitan Opera Laffont Competition, Julie Roset has quickly established herself as one of the finest coloratura sopranos of her generation. Her performances as Zémire (Zémire et Azor) last season at Opéra Comique garnered unanimous acclaim, Le Figaro writing “the young soprano catches the light with her singing as natural as it is intelligent”.

Performance highlights of Roset’s 2023/24 season include her debut at Opéra de Paris as Amour in a new staging by David McVicar of Charpentier’s Médée under William Christie, a European concert tour of Mendelssohn’s Elijah with Ensemble Pygmalion and Raphaël Pichon, a curated programme of baroque arias entitled Elemental with ensemble Twelfth Night at Carnegie Hall, and a staged version of Die Schöpfung at Opéra de Lorraine with Music Director Marta Gardolińska.

Already making her mark on the operatic landscape, Julie Roset recently appeared at Festival d’Aix-en-Provence as both Valletto and Amore in Ted Huffmann’s inspired staging of L’incoronazione di Poppea under the baton of Leonardo García Alarcón, joined Sasha Waltz & Guests acclaimed production of L’Orfeo at Teatro Real Madrid as Euridice and La Musica, and sang Amore in L’incoronazione di Poppea at Opéra du Rhin under Raphaël Pichon. Roset made her Paris debut as Amour in Mondonville’s Titon & l’Aurore with Les Arts Florissants and William Christie at Opéra Comique, sang Papagena in Die Zauberflöte at Opéra de Toulon, joined Les Arts Florissants and Paul Agnew as Amour in Gluck’s Orfeo ed Euridice at the Philharmonie de Paris and, at Festival d’Aix-en-Provence, sang Clorinde in Il Combattimento, la théorie du cygne noir, a musical journey through the Italian baroque conducted by Sebastien Daucé.

As a concert performer, Julie Roset is in high demand with recent debuts including concert performances of Il re pastore at the Salzburg Festival with Mozarteum Orchestra conducted by Adam Fischer, Christmas Oratorio with Stavanger Symphony Orchestra under Ottavio Dantone, Haydn’s La Création with Julie Chauvin and Le Concert de la Loge at Festival de Saint-Denis and Acis and Galatea with l’Orchestre Philharmonique de Radio France under Alarcón. Julie Roset has formed strong connections with several ensembles including Leonardo Garcia Alarcón’s Cappella Mediterranea with whom her performances include Sacrati’s La Finta Pazza at Concertgebouw Amsterdam and, during her residency at the Aix Académie, she joined Ensemble Pygmalion and Raphaël Pichon for a programme of Mozart and contemporaries and she appeared as the Philistine Woman in Handel’s Samson with CAV&MA’s Millenium Orchestra at the Beaune and Namur Festivals.

On disc, Julie Roset can be heard in her solo recording of works by Handel entitled Salve Regina, with Millenium Orchestra and released on the Ricercar label. Other recent recordings include Sigismondo d’India’s Lamenti e Sospiri with Capella Mediterranea on Ricercar, Brabant with Holland Baroque released on Pentatone and Dido and Aeneas with Les Argonauts released on the Aparté label.

Julie Roset began her vocal studies at an early age joining the Conservatoire du Grand Avignon going on to graduate with honors from the Haute Ecole de Musique de Genève in 2019 and she was awarded her artist diploma in Opera Studies from the Juilliard School in 2022.

See Julie Roset perform Mahler’s Symphony No2 with the RSNO on 4 & 5 October 2024.

Conductor Lera Auerbach

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A renaissance artist for modern times, Lera Auerbach is a widely recognized conductor, pianist, and composer. She is also an award-winning poet and an exhibited visual artist. All of her work is interconnected as part of a cohesive and comprehensive artistic worldview.

Lera Auerbach has become one of today’s most sought-after and exciting creative voices. Her performances and music are featured in the world’s leading stages – from Vienna’s Musikverein and London’s Royal Albert Hall to New York’s Carnegie Hall and Washington D.C.’s Kennedy Center.

Auerbach’s exquisitely crafted, emotional, and boldly imaginative music reached global audiences. Orchestral collaborations include the New York Philharmonic, Philadelphia Orchestra, National Symphony, Oslo Philharmonic, Munich’s Bayerisches Staatsorchester, Staatskapelle Dresden, and Vienna’s ORF Radio-Symphonieorchester, among many others. Auerbach’s works for orchestra are performed by the world’s leading conductors, including Manfred Honeck, Christoph Eschenbach, Alan Gilbert, Neeme Järvi, Vladimir Jurowski, Charles Dutoit, Andris Nelsons, Osmo Vänskä, Hannu Lintu, and Marin Alsop, to mention only a few.

During the 22-23 season, Lera Auerbach performed concerts with Hilary Hahn at Wigmore Hall in London and Boulez Saal in Berlin. She also conducted Tchaikovsky’s 5th Symphony with Enescu Philharmonic in the subscription series, as well as played and conducted Mozart’s Piano Concerto K466.

Other recent season highlights also included WienModern’s 3.5-hour production of Demons & Angels with Auerbach as conductor. Washington D.C.’s National Symphony premiered her 4th Symphony “ARCTICA” – a work commissioned by the National Geographic Society. Also, her Concerto for Violoncello and Orchestra “Diary of a Madman” commissioned by the Munich Philharmonic, Chicago Symphony, Borusan Istanbul Philharmonic Orchestra, and Royal Stockholm Philharmonic Orchestra, received its global premieres with cellist Gautier Capuçon.

Her 4th Violin Concerto “NYx: Fractured Dreams” was commissioned and premiered by the New York Philharmonic with Alan Gilbert and Leonidas Kavakos, and the Vienna Radio Symphony Orchestra premiered her symphonic poem Eve’s Lament with Marin Alsop. In 2022, the Nuremberg State Philharmonic presented the world premiere of Symphony No. 5 “Paradise Lost” conducted by Joana Mallwitz, and her Symphony No. 6 ‘Vessels of Light,’ a commission of Yad Vashem – The World Holocaust Remembrance Center, was unveiled in Lithuania as part of the city’s Cultural Capital of Europe celebrations and received its American premiere at Carnegie Hall on April 19, 2023.

Amare at the Hague will present a two-week Auerbach Festival in October 2023, including all aspects of her artistic offerings, conducting, piano performance, composition, poetry, and visual art.

Her music is championed and recorded by today’s most prominent classical performers, including violinists Gidon Kremer, Leonidas Kavakos, Daniel Hope, Hilary Hahn, Vadim Gluzman, Vadim Repin, Julian Rachlin; cellists Alisa Weilerstein, Gautier Capuçon, Alban Gerhardt, David Finckel; violists Kim Kashkashian, Nobuko Imai, and Lawrence Power, and many others.

Auerbach is equally prolific in literature and the visual arts. She incorporates these forms into her professional creative process, often simultaneously expressing ideas visually, in words, and through music. She has published three books of poetry in Russian, and her first English-language book, Excess of Being – in which she explores the rare form of aphorisms. Her next book, an illustrated work for children, A is for Oboe, published by Penguin Random House, won Audiofile Best Audiobook 2022. She is the recipient of the 2021 Marsh Hawk Press – Robert Creely Memorial Award for her English poetry manuscript “Morning Music”.

Auerbach has been drawing and painting all her life as part of her creative process. Her visual art is exhibited regularly, included in private collections, and represented by leading galleries.

Lera Auerbach holds multiple degrees from the Juilliard School in New York and the Hannover University of Music, Drama, and Media in Germany. Her teachers include Milton Babbitt, Rosalyn Tureck, Joseph Kalichstein, and Einar Steen-Nøkleberg. The World Economic Forum in Davos, Switzerland, selected her in 2007 as a Young Global Leader, and since 2014, she has served as a Cultural Leader. Boosey and Hawkes / Sikorski publish her music, and recordings are available on ECM, Deutsche Grammophon, Nonesuch, Sony Classical, Alpha Classics, BIS, Cedille, and many other labels.

See Lera Auerbach conduct the RSNO on 8 and 9 October 2024.

Cello Senja Rummukainen

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Senja Rummukainen was awarded the 6th prize in the international Tchaikovsky Competition in 2019. Few years before she won the 1st prize in the national Turku Cello Competition in 2014 and was a finalist in the international Guilhermina Suggia Prize in Portugal.

Rummukainen has played as a soloist with orchestras such as the BBC Symphony Orchestra, Mariinsky Theatre Orchestra, Krakow Philharmonic Orchestra, Szczecin Philharmonic and the most important Finnish orchestras such as the Finnish Radio Symphony Orchestra, Helsinki Philharmonic Orchestra, Tampere Philharmonic Orchestra, Tapiola Sinfonietta and Turku Philharmonic Orchestra with conductors like Sakari Oramo, Nicholas Collon, Leif Segerstam, Jonathon Heyward, Dima Slobodeniouk and Jorma Panula.

As a chamber musician, Rummukainen is one of the most popular in Finland. She has been a regular guest since already many years at the most important Finnish festivals such as the Kuhmo Chamber Music Festival and she was one of the artistic directors of Helsinki Kamarikesä festival. In 2022 she was participating Vevey Spring Classic Festival playing together with Janine Jansen, Nils Mönkemeyer, Daniel Müller-Schott and Francesco Piemontesi.

In season 2023/2024 Senja debuts as a soloist with the Gothenburg Symphony Orchestra, Iceland Symphony and Philharmonic Orchestra of Málaga, to name a few. During years 2017-2021 she worked as a II principal cellist of the Helsinki Philharmonic Orchestra.

Senja Rummukainen is currently finishing her Konzertexamen studies at the Universität der Künste Berlin with professor Jens Peter Maintz. Before she has studied with Marko Ylönen, Taru Aarnio, Truls Mørk, Young-Chang Cho.

Her instrument is a cello by Giovanni Grancino (1698), generously loaned to her by the OP Art Foundation.

See Senja Rummukainen perform Anna Clyne’s DANCE with the RSNO on 20, 21 and 22 March 2025.

Soprano Fflur Wyn

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Having already gained wide acclaim for her performances on the operatic stage as well as the concert platform, Welsh singer Fflur Wyn has quickly established herself as one of the country’s foremost sopranos. She was recently elected an Associate of the Royal Academy of Music (ARAM) in recognition of her distinguished contribution to the music profession so far.

Her operatic performances include Jemmy Guillaume Tell, Iphis Jephtha, Blonde Die Entführung aus dem Serail, and Dorinda in Handel’s Orlando (Welsh National Opera); Pamina The Magic Flute, Alice Alice in Wonderland, Vivetta L’arlesiana, and the title role in Lakmé (Opera Holland Park); Malinka The Adventures of Mr Broucek (Grange Park Opera); Barbarina Le Nozze di Figaro (La Monnaie); Lucia Rape of Lucretia (Potsdamer Winteroper); Esilena Rodrigo (Göttingen International Handel Festival); Governess Turn of the Screw (Mexico City); Celia Lucio Silla (Buxton Opera); Sophie Werther, Marzelline Fidelio, Susanna The Marriage of Figaro, Morgana Alcina, Servilia La Clemenza di Tito, Blue Fairy Pinocchio, Waldvogel Siegfried, Achsah Joshua, Gretel Hänsel und Gretel, Flora Turn of the Screw, Clerida Croesus, Giannetta L’elisir d’amore, Sophie Der Rosenkavalier, Fire/Nightingale/Princess L’enfant et les Sortileges and Trio Soprano Trouble in Tahiti (Opera North); Floriana in Leoncavallo’s Zazà (Opera Rara); Mimi in Offenbach’s Vert Vert (Garsington Opera); Michal Saul with the BBC Singers; and Celidora L’oca del Cairo with the London Mozart Players.

Fflur has worked with many great conductors and orchestras including Sir Colin Davis, Sir Charles Mackerras, Sir Richard Armstrong, Harry Bicket and the Royal Philharmonic Orchestra, London Symphony Orchestra, London Philharmonic Orchestra, The Gabrieli Consort and The English Concert. Recent recitals include performances at Kings Place, St John’s Smith Square, Wilton’s Music Hall and The Howard Assembly Room.

In the 2022/23 season, Fflur sang Euridice in Gluck’s Orfeo ed Euridice on the Opera North concert tour, and also for Chelsea Opera Group, Handel’s Messiah with the Norwegian Wind Ensemble, and the role of Nedda Pagliacci with the Cambridge Philharmonic, and 1st Niece Peter Grimes at Royal Danish Opera.

See Fflur Wyn perform Carmina Burana with the RSNO on 15 and 16 November 2024. 

Baritone Ben McAteer

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Northern Irish baritone Ben McAteer’s current highlights include Pangloss Candide with Marin Alsop in a new production by Lydia Steier at Theater an der Wien, and with the Hamburger Symphoniker and Martin Yates. He previously performed the role in the work’s Chinese premiere with the Xi’an Symphony Orchestra and Dane Lam. He returns to Hamburg for Schumann’s Das Paradies und die Peri.

He also revives his acclaimed Mountararat Iolanthe for ENO in 2023. A natural performer of Gilbert & Sullivan, he recently also appeared as Grand Inquisitor The Gondoliers and King Paramount Utopia Limited for Scottish Opera and for the International Gilbert and Sullivan Festival.

Ben made his Wexford Festival Opera debut in 2022 as Baskir Lalla Roukh for Wexford Festival Opera and returned to Irish National Opera as Malatesta in Don Pasquale and Officer Two & Blazes in Peter Maxwell-Davies’ The Lighthouse.

Recent concert work includes Haydn’s Creation with the Ulster Orchestra and Daniele Rustioni and Brahms’ German Requiem with the National Symphony Orchestra of Ireland.

Versatile in character and with a remarkable vocal range, he has sung both Figaro (Scottish Opera) and Count Almaviva (Irish National Opera) Le nozze di Figaro, Falke (Welsh National Opera) and Eisenstein (Northern Ireland Opera) Die Fledermaus, Pish-Tush (Scottish Opera) and Pooh-Bah (Lyric Opera Ireland) The Mikado, as well as Frank-Fritz Die tote Stadt (RTÉ National Symphony Orchestra), Goryanchikov From the House of the Dead (WNO), Sharpless Madama Butterfly (Opera Holland Park), Father Hänsel und Gretel (INO), Papageno Magic Flute (NI Opera), and Guglielmo Così fan tutte (Scottish Opera).

He features on a disc of undiscovered songs by Irish composer Ina Boyle with Iain Burnside, released on Delphian Records in August 2021, and has recorded the role of Jesus in Arthur Sullivan’s oratorio The Light of the World and Rupert Vernon in his operetta Haddon Hall, both with the BBC Concert Orchestra. In 2023 he featured on EM Records Maltworms and Milkmaids: Warlock and the Orchestra with the BBC Concert Orchestra and David Hill, containing all of Peter Warlock’s music which involves the use of an orchestra.

Ben was an Emerging Artist at Scottish Opera (during which time he won Outstanding Performance in Opera at the My Theatre Awards in Toronto for his performance of James in the world première of The Devil Inside), and trained at the National Opera Studio in London and at the Guildhall School of Music & Drama. Before embarking on a musical career, he studied Chemistry at the University of St Andrews.

See Ben McAteer perform Carmina Burana with the RSNO on 15 and 16 November 2024. 

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