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“For me, personally, music has been a way to inspire others” – Randall Goosby’s own words sum up perfectly his commitment to being an artist who makes a difference. Signed exclusively to Decca Classics in 2020 at the age of 24, American violinist Randall Goosby is acclaimed for the sensitivity and intensity of his musicianship alongside his determination to make music more inclusive and accessible, as well as bringing the music of under-represented composers to light.

Highlights of Randall Goosby’s 2023/24 season include debut performances with Boston Symphony Orchestra/Andris Nelsons, Washington’s National Symphony Orchestra/Thomas Wilkins, Pittsburgh Symphony Orchestra/Manfred Honeck, Seattle Symphony Orchestra and St Louis Symphony Orchestra both under Christian Reif, with European debuts including a European tour with Rotterdam Philharmonic Orchestra under Yannick Nezet-Seguin, Danish National Radio Symphony/Jukka-Pekka Saraste, Oslo Philharmonic Orchestra/Ryan Bancroft and Lahti Symphony Orchestra/Dalia Stasevska.

During 2023/24 Goosby will be Artist in Residence at London’s Southbank Centre which will include a return to London Philharmonic Orchestra, performing Mozart’s Violin Concerto No.3 under the direction of Gemma New and feature both recital and chamber concerts. Other upcoming recital appearances include Chamber Music Cincinnati, Emory University in Georgia, Elbphilharmonie Recital Hall in Hamburg, Perth Concert Hall in Scotland and La Società dei Concerti in Milan.

Summer 2023 includes Goosby’s debut at the Mostly Mozart Festival under Louis Langrée performing Tchaikovsky’s Violin Concerto as well as at Marlboro Music. Previous engagements have included The Philadelphia Orchestra/Yannick Nezet-Seguin, San Francisco Symphony/Esa-Pekka Salonen, returns to Philharmonia Orchestra/Santtu-Matias Rouvali and Los Angeles Philharmonic/Dalia Stasevska, Royal Scottish National Orchestra/Tabita Berglund, and Dallas Symphony Orchestra/Karina Canellakis. Goosby made his debuts in South Korea in recital and in Japan with Orchestra Ensemble Kanazawa/Kahchun Wong performing Bruch’s Violin Concerto in G minor. In summer 2022, he returned to the Hollywood Bowl with his mentor, Itzhak Perlman and Los Angeles Philharmonic.

In spring 2023, Goosby’s debut concerto album was released for Decca Classics together with Yannick Nézet-Séguin and The Philadelphia Orchestra performing the violin concertos by Max Bruch and Florence Price. Gramophone Magazine observed, “There’s an honesty and modesty…This playing isn’t dressed to impress but to express.”

Goosby’s first album for Decca, entitled Roots, is a celebration of African-American music which explores its evolution from the spiritual through to present-day compositions. Collaborating with pianist Zhu Wang, Goosby curated an album paying homage to the pioneering artists that paved the way for him and other artists of colour. It features three world-premiere recordings of music written by African-American composer Florence Price, and includes works by composers William Grant Still and Coleridge-Taylor Perkinson plus a newly commissioned piece by acclaimed double bassist Xavier Foley, a fellow Sphinx and Young Concert Artists alumnus.

Goosby is deeply passionate about inspiring and serving others through education, social engagement and outreach activities. He has enjoyed working with non-profit organisations such as the Opportunity Music Project and Concerts in Motion in New York City, as well as participating in community engagement programmes for schools, hospitals and assisted living facilities across the United States. In 2022/23 Goosby hosted a residency with the Iris Collective in Memphis with pianist, Zhu Wang. Together they explore how the students family history can relate to music and building community collaboration through narrative and performances.

Randall Goosby was first prize winner in the 2018 Young Concert Artists International Auditions. In 2019, he was named the inaugural Robey Artist by Young Classical Artists Trust in partnership with Music Masters in London; and in 2020 he became an Ambassador for Music Masters, a role that sees him mentoring and inspiring students in schools around the United Kingdom. In 2010 he won first prize of the Sphinx Concerto Competition, he is a recipient of Sphinx’s Isaac Stern Award and of a career advancement grant from the Bagby Foundation and of the 2022 Avery Fisher Career Grant. An active chamber musician, he has spent his summers studying at the Perlman Music Program, Verbier Festival Academy and Mozarteum Summer Academy among others.

Goosby made his debut with Jacksonville Symphony at age nine and with New York Philharmonic on a Young People’s Concert at Lincoln Center’s Avery Fisher Hall at age 13. A former student of Itzhak Perlman and Catherine Cho, he received his Bachelor’s, Master’s and Artist Diploma degrees from the Juilliard School. He is an alumni of the Perlman Music Program and studied previously with Philippe Quint. He plays the Antonio Stradivarius, Cremona, “ex-Strauss,” 1708 on generous loan from Samsung Foundation of Culture.

See Randall Goosby perform Barber’s Violin Concerto, Mendelssohn’s Violin Concerto and Mendelssohn’s Octet with the RSNO as part of the 2024:25 Season.

Jonathon Heyward is forging a career as one of the most exciting conductors on the international scene. He currently serves as Music Director of the Baltimore Symphony Orchestra, having made his debut with BSO in March 2022 in three performances that included the first-ever performance of Shostakovich’s Symphony No. 15. From summer 2024, Jonathon will become Renée and Robert Belfer Music Director of Lincoln Center’s Summer Orchestra. This appointment follows a highly acclaimed Lincoln Center debut with the Mostly Mozart Festival Orchestra in summer 2022, as part of their Summer for the City festival.

Currently in his fourth year as Chief Conductor of the Nordwestdeutsche Philharmonie, in summer 2021, Jonathon took part in an intense, two-week residency with the National Youth Orchestra of Great Britain which led to a highly acclaimed BBC Proms debut. According to The Guardian, Jonathon delivered “a fast and fearless performance of Beethoven’s Eroica Symphony, in which loud chords exploded, repeating like fireworks in the hall’s dome, and the quietest passages barely registered. It was exuberant, exhilarating stuff.”

Jonathon’s recent and future guest conducting highlights in the United Kingdom include debuts and re-invitations with the London Symphony Orchestra, BBC National Orchestra of Wales, BBC Symphony, Royal Scottish National Orchestra, The Hallé in Manchester, National Symphony Orchestra in Dublin, and Scottish Chamber Orchestra. In continental Europe, amongst Jonathon’s recent and forthcoming debuts are collaborations with the Castilla y León Symphony, Galicia Symphony, Danish National Symphony, Basel Symphony, Orchestre de Chambre de Lausanne, Brussels Philharmonic, Orchestre National Bordeaux Aquitaine, Tonhalle Düsseldorf, Hamburg Symphony and MDR-Leipzig Symphony.

In 2021, Jonathon made his Wolf Trap debut conducting the National Symphony Orchestra in Washington DC, and in 2023 he made his debut with the Chicago Symphony at the Ravinia Festival. Further significant highlights in the United States include collaborations with the New York Philharmonic; the Atlanta, Detroit, Houston, Seattle, and St Louis symphonies; and the Minnesota Orchestra.

Equally at home on the opera stage, Jonathon recently made his Royal Opera House debut with Hannah Kendall’s Knife of Dawn, having also conducted a Kurt Weill’s Lost in the Stars with the Los Angeles Chamber Orchestra, as well as the world premiere of Giorgio Battistelli’s new opera, Wake, in a production by Graham Vick for the Birmingham Opera Company.

Born in Charleston, South Carolina, Jonathon began his musical training as a cellist at the age of ten and started conducting while still at school. He studied conducting at the Boston Conservatory of Music, where he became assistant conductor of the prestigious institution’s opera department and of the Boston Opera Collaborative, and he received postgraduate lessons from Sian Edwards at London’s Royal Academy of Music. Before leaving the Academy, he was appointed assistant conductor of the Hallé Orchestra, where he was mentored by Sir Mark Elder, and became Music Director of the Hallé Youth Orchestra. In 2023, he was named a Fellow of the Royal Academy of Music; an honour reserved for Academy alumni.

Jonathon’s commitment to education and community outreach work deepened during his three years with the Hallé and has flourished since he arrived in post as Chief Conductor of the Nordwestdeutsche Philharmonie in January 2021. He is equally committed to including new music within his imaginative concert programs.

See Jonathon Heyward conduct Shostakovich Symphony No8 with the RSNO on 3, 4 and 5 April 2025.

Ellie Slorach is the RSNO’s Engagement Conductor.

Alongside her work at the RSNO, Ellie is the Founder and Artistic Director of Kantos Chamber Choir and works across the UK and internationally with orchestras and choirs.

In the 2023-24 season, Ellie makes her debut with the Royal Northern Sinfonia at Sage Gateshead and with New Adventures’ production of Edward Scissorhands at Sadler’s Wells. She returns to the Royal Liverpool Philharmonic Orchestra, BBC Philharmonic, BBC Singers, Royal Scottish National Orchestra, Orchestra of Opera North and Manchester Camerata.

Specialising in concerts for schools and young people, Ellie has worked with orchestras including The Hallé and the Orchestre Philharmonique Royal de Liège, where she was the Assistant Conductor to Gergely Madaras in 2021-22. She is often invited to work with youth and student orchestras and choirs, including having been Musical Director of the Hallé Youth Orchestra. 

Ellie regularly works on opera productions; she conducted Northern Opera Group’s production of Handel’s ‘Silla’ in 2022 and returns as Musical Director for their headline production of ‘Sherlock’ in 2024 at the Leeds Opera Festival. She was co-Musical Director for the Royal Opera House’s production of Lost & Found at St Pancras International station in 2022 and was the Assistant Conductor for Opera Holland Park’s Rigoletto in June 2023.

In 2015, Ellie founded Kantos Chamber Choir; this trailblazing vocal ensemble is at the cutting edge of choral singing in the UK. Kantos performs unique and innovative concerts, devised by Ellie, to sell-out audiences, in venues ranging from nightclubs to concert halls. The choir regularly perform and record with orchestras including the Royal Liverpool Philharmonic Orchestra and the BBC Philharmonic, on labels including Decca Classics.

Ellie studied Conducting at the Royal Northern College of Music having previously studied Music at the University of Manchester. 

When did you join the RSNO?
April 2024.

Where are you from?
Leigh-on-Sea, Essex.

Where did you study?
I studied for four years at the Royal College of Music, London.

What do you enjoy most about being in the RSNO?
Performing my favourite music with brilliant colleagues. Being in a symphony orchestra has been my dream job since I was about nine, so I feel incredibly lucky!

Tell us your favourite RSNO story/memory so far.
Performing at the KKL in Lucerne, Switzerland, while on tour in January, was an amazing experience. It’s one of the world’s greatest concert halls.

What do you enjoy doing when you’re not playing with the Orchestra?
Running (especially on Saturdays at Parkrun), antiquing with my partner, cooking for friends, and spending time with my dog, Mabel.

Do you have any hidden talents?
I have a very good memory for very specific facts and numbers, unfortunately not for the location of my keys.

If you could have dinner with anyone (alive or dead) who would it be, and why?
If I had to choose one person, it would be John Williams. His music has always been a source of inspiration for me, and I have no doubt he has some incredible stories from a long and illustrious career.

You’re stranded on a desert island. You’re allowed 3 CDs and 1 book. What would they be, and why?
I know everyone says this, but this is a really tough one! I’d have some Oscar Peterson, some Mozart Piano concerti with Murray Perahia or Robert Levin, and the complete Sibelius symphonies. My book would be the complete Sherlock Holmes stories by Arthur Conan Doyle.