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Sub-principal Trumpet Katie Smith

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When did you join the RSNO?
March 2024.

Where are you from?
London.

Where did you study?
Guildhall School of Music and Drama for my undergrad then Royal Academy of Music for my masters degree.

What do you enjoy most about being in the RSNO?
I really love how friendly the orchestra is and that the job allows me to travel and see so many different parts of Scotland.

Tell us your favourite RSNO story/memory so far.
I really enjoyed the Orchestra’s tour to Salzburg in October 2023. I particularly enjoyed performing Chris Gough’s encore Eightsome Reels 2.0.

What do you enjoy doing when you’re not playing with the Orchestra?
I really enjoy paddleboarding and have been enjoying getting to grips with it in this colder climate. I also enjoy spending time with my sausage dog Eddie.

Do you have any hidden talents?
I can quote the majority of the TV show Friends.

If you could have dinner with anyone (alive or dead) who would it be, and why?
Louis Prima – a trumpet player and entertainer from New Orleans. He was most famous for his role in Disney’s The Jungle Book as the orangutan King Louie. I went to an exhibition about him at the New Orleans Jazz museum and thought he had the most interesting and varied career.

You’re stranded on a desert island. You’re allowed 3 CDs and 1 book. What would they be, and why?
I’d bring a recording of Symphonie Fantastique by Hector Berlioz as it’s one of my favourite pieces of music and holds many happy memories for me, Bayview by Project Smok (a Scottish neo-trad trio) and pretty much anything ever written or performed by Dua Lipa. The book I would choose would be Captain Corelli’s Mandolin by Louis de BerniĂšres.

Piano Mischa Cheung

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Mischa Cheung studied with Prof. Konstantin Scherbakov at the Zurich University of the Arts and has taken up a busy career bringing him to many concert stages and festivals throughout the world. He is a member of the Gershwin Piano Quartet, a highly praised ensemble which performs spectacular arrangements on four pianos and released its album “Transatlantiques” with Sony Classical in 2018.

Mischa Cheung plays solo and chamber music recitals and regularly performs as a soloist at the Symphonic Game Music Concerts directed by the Merregnon Studios. This concert series has e.g. taken him to tour Japan with the London Symphony Orchestra and he has also appeared with the Hong Kong Philharmonic Orchestra, the Beethoven Orchestra Bonn, the Netherlands Philharmonic Orchestra and the City of Birmingham Symphony Orchestra. In 2023 he played the solo part at the recording of the album “Final Symphony II” with the Royal Stockholm Philharmonic Orchestra.

He has also worked together with the renowned choreographer Alexandra Bachzetsis composing and playing the music of transdisciplinary works commissioned by the Museum of Modern Art New York and the Art Institute of Chicago. In 2019 his recording of the piano concerto by Friedrich Gulda was released by Solo Musica receiving much critical acclaim.

He was a member of the ECHO-award winning ensemble Spark from 2011 until 2015 and took part in extensive concert tours and numerous radio, tv and cd productions including recordings for Deutsche Grammophon and Berlin Classics. Mischa Cheung teaches at the Zurich University of the Arts and after being assistant to the masterclass of Prof. Konstantin Scherbakov for many years he has recently been appointed a lecturer for piano and improvisation.

See Mischa Cheung perform Final Symphony with the RSNO on 8 and 9 November 2024. 

Conductor Adam Hickox

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British conductor Adam Hickox (born in 1996) has been described by the Boston Musical Intelligencer as a “consummate, well-mannered musician of skill”. He brings to the podium an impressive and elegant fluidity of technique and mature interpretations of a wide range of repertoire which is fast building him a reputation both on the concert stage and in the opera house. In December 2023, following his successful debut at Glyndebourne Autumn Opera conducting Donizetti L’Elisir d’amore, he was appointed Principal Conductor of The Glyndebourne Sinfonia which will see him returning to Glyndebourne to conduct opera productions and concert performances as part of the autumn seasons 2024 and 2025.

The 23/24 season includes many debuts for Hickox – these include the Philharmonia Orchestra at London’s South Bank Centre, the Deutsche Symphony Orchestra Berlin at the Berlin Philharmonie, the Orchestre de la Suisse Romande, Norwegian Opera, BBC Philharmonic, Iceland Symphony, St Gallen Symphony orchestras amongst others and returns to the Royal Philharmonic, Rotterdam Philharmonic and BBC Symphony orchestras, all of whom he is now conducting regularly.

In recent seasons, Hickox has conducted the Orchestre de Paris, BBC Scottish Symphony, BBC Symphony in the studio and at the Barbican Centre in a concert celebrating the works of the legendary author Ian McEwan, the Ulster Orchestra, Orquesta SinfĂłnica de Castilla y LeĂłn, GĂ€vle Symphony and the National Symphony Orchestra (Ireland). In the opera house, he has conducted Tosca at Opera North, a new production of Hansel and Gretel at the Royal Scottish Conservatoire and in the coming seasons will make his debut at Hamburg State Opera.

Hickox studied music and composition with Robin Holloway at Gonville and Caius College Cambridge, and conducting with Sian Edwards at the Royal Academy of Music. He was Assistant Conductor of the Rotterdam Philharmonic from 2019-2022 working closely with Lahav Shani, and in 2021 he was invited to Tanglewood as one of the Festival’s two Conducting Fellows, where he worked alongside Nelsons, Blomstedt and Gilbert with the TMC Orchestra, as well as giving performances of his own at the Koussevitzky Music Shed. Hickox also took part in the fellowship’s corresponding residency with the Gewandhausorchester Leipzig.

Conductor Clark Rundell

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With a repertoire spanning centuries, continents and styles, Clark Rundell has established himself as a champion of music ranging from the 18th century to the current day, from Jazz to Kora, from Tango to European modernism and from large, multidimensional projects to music of complexity and intricacy.

He recently made his debuts with the Barcelona Symphony Orchestra, Klangforum Wien, the Gulbenkian Orchestra, Lisbon, the SWR-Sinfonieorchester Baden-Baden, NDR Orchestra Hannover and the Orchestre Philharmonique Royal de Liege all of whom immediately re-invited him to conduct over the next few seasons.

He works regularly with orchestras and ensembles including all of the BBC orchestras, Britten Sinfonia, Royal Liverpool Philharmonic, Royal Northern Sinfonia, Ensemble 10/10 and Asko Schoenberg. Opera world premieres include James MacMillan’s Clemency at the Royal Opera House, Covent Garden, Orlando Gough’s Voices & Votes at the Bergen International Festival, Julian Joseph’s spectacular reimagining of Tristan and Isolde in London, Oscar Bettison’s The Light of Lesser Days in the Netherlands and the hugely anticipated opera Iphigenia by Wayne Shorter and esperanza spalding in Boston and at the Kennedy Centre, Washington, DC. Other opera performances include Albert Herring, The Turn of the Screw, Carmen, Katya Kabanova, Street Scene, L’Heure Espagnole, The Cunning Little Vixen, Greek and L’enfant et les sortilĂšges.

Deeply committed to the performance of new music, Clark Rundell has given world premiĂšres of works by composers such as Louis Andriessen, Steve Reich, Mark-Anthony Turnage, James MacMillan, Django Bates, Sir Richard Rodney Bennett, Oscar Bettison, Gary Carpenter, Trish Clowes, Tansy Davies, Tim Garland, Adam Gorb, David Horne, Julian Joseph, Steve Mackey, Steve Martland, Grace Evangeline Mason, Brad Mehldau, Martijn Padding, Gwilym Simcock, Joey Roukens, Wayne Shorter and Julia Wolfe.

As an arranger, he collaborated with Louis Andriessen on a suite from the late Dutch master’s opera Rosa, entitled Rosa’s Horses, which was premiered by Clark Rundell and the Netherlands Radio Chamber Philharmonic at Het Concertgebouw, Amsterdam. The pair also collaborated on Vermeer Pictures, a suite from Andriessen’s opera Writing to Vermeer, which was also performed at Het Concertgebouw to great critical acclaim. Clark Rundell is working on further suites of Louis Andriessen’s more recent operas.

He has conducted extensive orchestral projects with artists such as Elvis Costello, the Wayne Shorter Quartet, esperanza spalding, Toumani Diabate, Brad Mehldau, Tim Garland, Trish Clowes, Julian Joseph, Abel Selaocoe, Gwilym Simcock and Pablo Ziegler. A highly versatile musician, Rundell has also performed with artists such as John Dankworth, Bob Brookmeyer, Victor Mendoza, Guy Barker, Julian ArgĂŒelles, Ed Thigpen, Cleo Laine, Andy Sheppard, Lew Tabakin and Michael Gibbs.

He is passionate about working with young people and is Professor of Conducting at the Royal Northern College of Music in Manchester, and has a close relationship with the Netherlands Orchestral Academy.

Clark Rundell spent much of his childhood in Bloomington, Minnesota. He studied conducting at Northwestern University, Chicago with John Paynter and trombone with Frank Crisafulli, and was subsequently awarded a Junior Fellowship to study conducting with Timothy Reynish at the RNCM.

See Clark Rundell conduct Become Ocean with the RSNO on 28 September 2024.

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