Search results 241 results for “New NetSuite-Administrator Dumps Questions 👷 Formal NetSuite-Administrator Test 🐇 NetSuite-Administrator Latest Exam Online 🚂 Easily obtain ➥ NetSuite-Administrator 🡄 for free download through ⮆ www.pdfvce.com ⮄ 🕶NetSuite-Administrator Practice Questions”

When did you join the RSNO?
March 2024.

Where are you from?
London.

Where did you study?
Guildhall School of Music and Drama for my undergrad then Royal Academy of Music for my masters degree.

What do you enjoy most about being in the RSNO?
I really love how friendly the orchestra is and that the job allows me to travel and see so many different parts of Scotland.

Tell us your favourite RSNO story/memory so far.
I really enjoyed the Orchestra’s tour to Salzburg in October 2023. I particularly enjoyed performing Chris Gough’s encore Eightsome Reels 2.0.

What do you enjoy doing when you’re not playing with the Orchestra?
I really enjoy paddleboarding and have been enjoying getting to grips with it in this colder climate. I also enjoy spending time with my sausage dog Eddie.

Do you have any hidden talents?
I can quote the majority of the TV show Friends.

If you could have dinner with anyone (alive or dead) who would it be, and why?
Louis Prima – a trumpet player and entertainer from New Orleans. He was most famous for his role in Disney’s The Jungle Book as the orangutan King Louie. I went to an exhibition about him at the New Orleans Jazz museum and thought he had the most interesting and varied career.

You’re stranded on a desert island. You’re allowed 3 CDs and 1 book. What would they be, and why?
I’d bring a recording of Symphonie Fantastique by Hector Berlioz as it’s one of my favourite pieces of music and holds many happy memories for me, Bayview by Project Smok (a Scottish neo-trad trio) and pretty much anything ever written or performed by Dua Lipa. The book I would choose would be Captain Corelli’s Mandolin by Louis de Bernières.

Daniel Müller-Schott is one of the most sought-after cellists in the world and can be heard on all the great international concert stages. For many years he has been enchanting audiences as an ambassador for classical music in the 21^st century and as a bridge builder between music, literature, and the visual arts. Daniel Müller-Schott attaches great importance to discussion concerts and performances in unusual places, such as recently in a Hamburg club together with musicians of the NDR Elbphilharmonie Orchestra. The New York Times refers to his “intensive expressiveness” and describes him as a “fearless player with technique to burn”.

Daniel Müller-Schott guests with international leading orchestras; in the US with the orchestras in New York, Boston, Cleveland, Chicago, Philadelphia, San Francisco and Los Angeles; in Europe the Berliner Philharmoniker, the Gewandhausorchester Leipzig, Bayrisches Staatsorchester and Münchner Philharmoniker, the Radio Orchestras from Berlin, Munich, Frankfurt, Stuttgart, Leipzig, Hamburg, Copenhagen, Prague and Paris, the Tonhalle-Orchester Zurich and Zurcher Kammerorchester, Oslo Philharmonic, the London Symphony and Philharmonic Orchestra, the City of Birmingham Symphony Orchestra, the Netherlands Philharmonic Orchestra and the Spanish National Orchestra as well as in Australia with the Sydney and Melbourne Symphony Orchestra and in Asia with Tokyo’s NHK Symphony Orchestra, Taiwan’s National Symphony Orchestra, Singapore Symphony and Seoul Philharmonic Orchestra.

Daniel Müller-Schott has appeared worldwide in concert with such renowned conductors as Marc Albrecht, Karina Canellakis, Thomas Dausgaard, Christoph Eschenbach, Iván Fischer, Alan Gilbert, Gustavo Gimeno, Manfred Honeck, Neeme Järvi, Cristian Măcelaru, Susanna Mälkki, Juanjo Mena, Andris Nelsons, Gianandrea Noseda, Andrés Orozco-Estrada, Kirill Petrenko, Vasily Petrenko, Jukka-Pekka Saraste, Alexander Shelly, Dalia Stasevska and Krzysztof Urbański. A long-standing collaboration connected him with Yakov Kreizberg, Kurt Masur, Lorin Maazel and Sir André Previn.

Daniel Müller-Schott performs with great passion not only the great cello concertos from the baroque to the modern. The discovery of unknown works, the expansion of the cello repertoire, for example through his own arrangements, as well as the collaboration with the composers of our time, also have a permanent place in his concerts. George Alexander Albrecht, Sir André Previn and Peter Ruzicka have dedicated Cello Concertos to him.

To create a higher intensity of perception between music, visual arts and literature is Daniel Müller-Schott’s artistic credo. He often writes and gives introductions about the background of the music and the composers. At his festival in Vevey, Daniel Müller-Schott initiated for the first time a Bach project with dance for a visual realization of the music. The cellist developed a great affinity for the fine arts, particularly for 19th-century French painting.

Highlights in Daniel Müller-Schott‘s seaon 2023 / 24 are in late summer his live TV appearance at the summer concert of the NRW state government, concerts with the Orchestra della Svizzera Italiana / Krzysztof Urbański, Rotterdam Philharmonic / Andres Orozco-Estrada, Beethoven Orchestra Bonn / Dirk Kaftan, Qatar Philharmonic Orchestra / Elias Grandy and Seoul Philharmonic / Jaap van Zweden during one of his Asian tours, where Daniel Müller-Schott will again perform with Taiwan Philharmonic / Jun Märkl. Other Asian tours are on Daniel Müller-Schott’s schedule: a recital and chamber music tour to Korea and Taiwan. In a trio with Julia Fischer and Yulianna Avdeeva, Daniel Müller-Schott will tour Europe in early summer next year. In May 2024, the 3rd edition of his Swiss festival “Vevey Spring Classic – Mentoring the Future of Classic” will take place.

International music festivals regularly invite Daniel Müller-Schott. In his chamber music concerts, Daniel Müller-Schott collaborates inter alia with Kit Armstrong, Renaud Capuçon, Veronika Eberle, Julia Fischer, Janine Jansen, Igor Levit, Sabine Meyer, Nils Mönkemeyer, Anne-Sophie Mutter, Francesco Piemontesi, Emmanuel Tjeknavorian, Simon Trpčeski and with the Modigliani and Aris Quartet.

Daniel Müller-Schott has been involved for many years in the project “Rhapsody in School”.

In a career spanning more than twenty-five years, Daniel Müller-Schott has produced an extensive discography that has won him international awards. It includes, among others, compositions by Bach, Beethoven, Brahms, Mozart, Haydn, Schumann, Grieg, Mendelssohn, Prokofiev, Schubert, Khachaturian, Shostakovich, Strauss, Tchaikovsky, Elgar, Walton, Britten Dvořák, Lalo, Honegger and Saint-Saëns.

Daniel Müller-Schott studied under Walter Nothas, Heinrich Schiff and Steven Isserlis. He was supported personally by Anne-Sophie Mutter and received, among other things, the Aida Stucki Prize as well as a year of private tuition under Mstislaw Rostropovich. At the age of fifteen, Daniel Müller-Schott won the first prize at the International Tchaikovsky Competition for Young Musicians in 1992 in Moscow.

Daniel Müller-Schott plays the “Ex Shapiro” Matteo Goffriller cello, made in Venice in 1727.

See Daniel Müller-Schott perform Shostakovich’s Cello Concerto No2 with the RSNO on 6 and 7 June 2025.

The renowned Canadian bass-baritone Daniel Okulitch is known for his commanding stage presence and impressive vocal versatility. He has performed with major opera companies and orchestras around the world taking on a diverse range of roles showcasing his musical intelligence and strong sense of artistry. Some of his most acclaimed portrayals are in the principal Mozart roles, including his recent debut at Opernhaus Zürich as Count Almaviva in Jan Philipp Gloger’s new production of Le nozze di Figaro under Stefano Montanori.

At the same time Okulitch is sought after for many contemporary operas and world premieres. Most notably he created the role of Ennis del Mar in Charles Wuorinen’s Brokeback Mountain at Teatro Real, premiered Lyndon B. Johnson in David T Little and Royce Vavrek’s JFK at Fort Worth Opera, performed General Groves in John Adams’ Dr. Atomic at Santa Fe Opera, and made his British debut as Mark Rutland in Nico Muhly’s Marnie at English National Opera. Okulitch recently reprised the role of Beck in Joby Talbot and Gene Scheer’s Everest with BBC Symphony Orchestra, set for future release on CD, and made a notable role debut as The Protector in George Benjamin’s Written on Skin at Opéra de Montréal, followed by Katie Mitchell’s production of Lessons in Love and Violence at Gran Teatre del Liceu. Daniel returns to Opéra de Montréal this season for the role of Axel Oxenstierna in the world premiere of Julien Bilodeau and Michel Marc Bouchard’s La Reine-garçon. Last season saw Daniel at LA Opera for Kaneza Schaal’s production of Omar, the 2023 Pulitzer Prize winning opera by Grammy Award-winning Rhiannon Giddens and composer Michael Abels conducted by John Kennedy, which will be presented by San Francisco Opera in the 2023/24 season led by John Kennedy.

On the concert stage Daniel Okulitch debuts Brahms’ Ein deutsches Requiem this season with South Dakota Symphony Orchestra under John Nelson, as well as Rachmaninov’s Spring cantata with Orquesta y Coro de la Communidad de Madrid conducted by Music Director Marzena Diakun. Elsewhere he joins the cast of Britten’s Billy Budd in concert performance at the George Enescu International Festival conducted by Hannu Lintu. Daniel has recently appeared as the bass soloist in Handel’s Messiah with Houston Symphony Orchestra under Julian Wachner and with Charlotte Symphony under Christopher Warren-Green, debuted Mendelssohn’s Elijah with Symphony Nova Scotia under conductor Jeff Joudrey, returned to Beethoven’s Symphony No.9 with Indianapolis Symphony Orchestra conducted by Krzysztof Urbański, and reprised Vaughan-Williams’ Dona Nobis Pacem with Charlotte Symphony under Christopher Warren-Green.

Okulitch’s career first garnered national attention in the original cast of Baz Luhrmann’s Tony Award-winning Broadway production of La bohème. His first solo recording, The New American Art Song, was released on GPR Records in 2011 and features world premieres by Ricky Ian Gordon, Jake Heggie, Lowell Liebermann and Glen Roven who all accompany Okulitch on the piano. Simultaneous with the record release, this programme was performed in concert at Carnegie Hall.

Daniel attended the Oberlin Conservatory and continued his studies at the Cincinnati Conservatory. During these years he apprenticed with the Des Moines Metro Opera, Cincinnati Opera, and in San Francisco Opera Merola Programme and was the recipient of numerous awards and prizes, including first prize from the George London Foundation and a Sullivan Foundation award.

See Daniel Okulitch perform Mozart’s Requiem with the RSNO on 25 and 26 April 2025.