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Mhairi Lawson has performed in opera houses and concert halls worldwide. In the UK, she has regularly collaborated with such companies as The Gabrieli Consort & Players, The Academy of Ancient Music, English National Opera, The Early Opera Company and The Scottish Chamber Orchestra, and with many leading conductors such as William Christie, Sir Charles Mackerras, Paul McCreesh, Jane Glover and Sir John Eliot Gardiner, in repertoire ranging from traditional folksong to opera.

This season, Mhairi sings Purcell’s King Arthur with the Early Opera Company in London, Bach’s B minor Mass with the Scottish Chamber Orchestra, Mozart’s Requiem with the Royal Northern Sinfonia, and returns to the Academy of Ancient Music.

Recent highlights include performances of Handel’s Messiah with the Royal Scottish National Orchestra and also the Dunedin Consort, Haydn’s Creation with the Oxford Philharmonic Orchestra and also the Arctic Philharmonic, Bach’s St Matthew Passion with Nieuwe Philharmonie Utrecht and also BBC NOW, regular residencies at the Carmel Bach Festival in the USA, and performances of Purcell’s King Arthur on tour with the Gabrieli Consort.

With Les Arts Florissants, Mhairi has performed dramatic music by Purcell, Charpentier, Landi and Monteverdi at the Cité de la Musique, Paris, throughout Europe, and London’s Barbican Centre and Birmingham’s Symphony Hall in the UK.

Further afield, Mhairi has sung Bach’s St John Passion in New York’s Lincoln Centre, and in Weimar, Germany, the St Matthew Passion with the St Paul Chamber Orchestra, and King Arthur with the Philharmonia Baroque Orchestra, San Francisco.

She has made many commercial recordings, including Haydn’s Creation with the Choir of New College, Oxford, conducted by Edward Higginbottom, Scottish Jacobite Songs on the Avison Ensemble’s CD Rebellion, and two discs of Schubert Lieder, including the vocal tour de force Der Hirt auf dem Felsen, with clarinettist Jane Booth and pianist Eugene Asti. Mhairi also features on Les Arts Florissants’ 2017 release of Monteverdi Madrigals vol. 3 ‘Venezia’ for Harmonia Mundi, a finalist for the Gramophone Baroque Vocal Award.

With the virtuoso baroque band La Serenissima, Mhairi has recorded many of Vivaldi’s sacred and operatic works and has performed large-scale pieces including La senna festeggiante and La fida ninfa in Venice.

A keen recitalist, engagements have included songs from the British folksong tradition and Lieder by Haydn, Mozart, Schubert, Schumann, Strauss and Wolf with appearances in the Edinburgh Festival, Newcastle and York Universities, recordings for BBC Radio 3, and a recital with lutenist Elizabeth Kenny as part of the St Magnus International Festival.

Whilst still a student at the Guildhall School of Music and Drama, Mhairi won the International Early Music Network Young Artists Prize with the fortepianist Olga Tverskaya, which led to her first CD recording of Haydn’s English and Scottish Songs.

See Mhairi Lawson perform Mozart’s Requiem with the RSNO on 25 and 26 April 2025.

Anglo-German bass-baritone Stephan Loges begins his 23/24 season at Estonian National Opera as Golaud Pelleas et Mélisande, in what is quickly becoming a signature role for him, having performed it in two different productions in Lisbon and Trier the previous season and having drawn critical acclaim when he first made his role debut in ETO’s production in London in 2015.

In mainstream repertoire, he has appeared as Wolfram Tannhäuser and Papageno Die Zauberflöte at La Monnaie, Sprecher Die Zauberflöte at Theater an der Wien and Théâtre du Capitole de Toulouse, Falke Die Fledermaus for NI Opera and Don Alfonso Così fan tutte for English Touring Opera. He also recently made a debut in his first major Verdi role as Oberto (title role) with Chelsea Opera Group.

Hugely experienced in Early Music, Stephan has performed and recorded Bach, Handel and contemporaries with the likes of Trevor Pinnock, Harry Bicket, Paul McCreesh, Sir John Eliot Gardiner, John Butt, Richard Egarr, Raphael Pichon and Nicolas Kraemer. As well as with period ensembles, he has appeared in concert with orchestras including the London Symphony Orchestra, London Philharmonic Orchestra, Melbourne Symphony Orchestra, Sapporo Symphony Orchestra, Royal Concertgebouw Orkest, Residentie Orkest, MDR-Sinfonieorchester, Sächsische Staatskapelle Dresden, Orchestra dell’Accademia di Santa Cecilia, the Mozarteum Orchestra Salzburg, Swedish Radio Symphony Orchestra, Iceland Symphony Orchestra, National Symphony Orchestra in Washington and the San Francisco Symphony Orchestra.

Also acclaimed for 20th and 21st century repertoire, he has not only sung Maximilian in a new production of Candide at Staatsoper Berlin and the title role Sweeney Todd at Staatstheater Hannover, but has also created roles in the world premieres of James Macmillan’s Parthenogenesis (Royal Opera House, Covent Garden), Mark Grey’s Frankenstein (La Monnaie) and Anthony Bolton’s The Life and Death of Alexander Litvinenko (Grange Park Opera). He has also performed Milhaud’s La mère coupable for Theater an der Wien and Mernier’s Frühlings Erwachen at Opera national du Rhin, and his repertoire includes Benjamin’s Written on Skin, Britten’s Burning Fiery Furnace and Stravinsky’s The Rake’s Progress.

Born in Dresden and now based in Freiburg, Stephan Loges was an early winner of the Wigmore Hall International Song Competition and has given recitals throughout the world at venues including Wigmore Hall London as well as Carnegie Hall New York, Concertgebouw Amsterdam, Vienna Konzerthaus, Klavierfestival Ruhr, La Monnaie Brussels, Schleswig-Holstein Festival, Santiago de Compostela, BBC Radio 3, Musée d’Orsay Paris and the Vocal Arts Series in Washington with pianists Graham Johnson, Eugene Asti, Roger Vignoles, Iain Burnside, Simon Lepper, Joseph Middleton, and Sholto Kynoch. His most recent CD, Nature’s Solace with Iain Burnside, featuring Lieder by Schumann, Kilpinen and Brahms, was released by Signum in November 2018.

See Stephan Loges perform Handel’s Messiah with the RSNO on 2 January 2025. 

With programmes that are diverse, imaginative and inspiring, Hebrides Ensemble has established itself as one of the foremost chamber music collectives in the UK.

Co-founded and led by its Artistic Director, the cellist and conductor William Conway, the Ensemble is renowned for its fresh and intelligent approach to programming, which places contemporary music at the heart of a diverse range of repertoire.

The Ensemble’s strength is its flexibility; it draws its performers from a pool of the most outstanding musicians in the UK and beyond, ensuring the exceptional performance standards for which it has become renowned. This is an international ensemble with its roots in Scottish culture, a collective which performs regularly at venues and festivals throughout the UK and Europe and is regularly featured in broadcasts for BBC Radio 3.

In recent years, the Ensemble has given premieres at the Muziekgebouw in Amsterdam, at Kings Place and Wigmore Hall in London, at the Aldeburgh Festival and Edinburgh International Festival. In 2018, Hebrides Ensemble made its debut appearance at the BBC Proms.

Hebrides Horizons supports the next generation of performers, composers, artistic directors and cultural leaders through its mentoring programme, and Hebrides Digital allows audiences around the world to be part of every performance the Ensemble gives, using livestreaming and cutting-edge digital technology.

Hebrides Ensemble recently released ‘Ursa Minor’, the fifth in a series of composer portrait albums in partnership with Delphian Records, focused on the chamber music of Stuart MacRae. Previous volumes featured music by Judith Weir, Nigel Osborne, Peter Maxwell Davies (EVM Award for New Music Recording of the Year at the 2018 Scottish Awards for New Music) and James MacMillan (the premiere recording of ‘Since it was the day of Preparation…’ which went straight to No.1 in the Specialist Classical Chart upon release in July 2016).

Stephen Doughty has been Chorus Director of the RSNO Chorus since the start of the 2022:23 Season. Since his arrival the Chorus has seen an influx of new members, and an abundance of varied and critically acclaimed performances, including Verdi’s Requiem, Britten’s War Requiem, Bruckner’s E Minor Mass and the Scottish premiere of Sir James MacMillan’s Christmas Oratorio. He has also directed the Chorus in new and imaginative programmes in their own right, including Rheinberger’s glorious Mass in E flat for double choir, and concerts with percussion and organ featuring Bernstein’s Chichester Psalms, the European premiere of McIntyre’s Missa Brevis and Ives’ final major choral work, Psalm 90.  Stephen’s previous 12-year tenure as Chorus Master of Belfast Philharmonic Choir included a number of world premieres, most significantly James Whitbourn’s The Seven Heavens and Philip Hammond’s Requiem for the Lost Souls of the Titanic, performed exactly 100 years since the liner went down, and further European premieres of both Stuart Scott’s Requiem Brevis, which saw the 100-strong choir separated into eight choirs spaced around the audience, and Christopher Marshall’s Earthsong.

Stephen particularly enjoys working with amateur singers, not least leading regular singing days frequently involving up to 800 amateur singers. He was Musical Director of Edinburgh Bach Choir for 7 years and has enjoyed the directing the Garleton Singers for over 30 years, performing with them recently at the Lammermuir Festival.

Stephen plays harpsichord/organ continuo and orchestral piano and has given frequent organ recitals, including several on the grand Mulholland Organ in the Ulster Hall, Belfast. He is also in demand as an arranger and orchestrator, with a large portfolio of work particularly for young voices. He has produced a plethora of arrangements of the music of pianist Christopher Norton, including two publications of piano duets and a suite for wind sextet, and has received commissions from Children’s Classic Concerts, the Ulster Orchestra and the RSNO. Commissions from the BBC have seen his work being performed on BBC Alba and at the Last Night of the Proms, and his pieces feature on several recordings, including with the RSNO Chorus.

Finally, Stephen is an Examiner for the Associated Board of the Royal Schools of Music.