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Conductor Emeritus Alexander Lazarev

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Alexander Lazarev is one of Russia’s foremost conductors. He studied with Leo Ginsbourg at the Moscow Conservatory graduating with first class honours. In 1971 he won first prize in the Soviet Union’s national competition for conductors, and the following year went on to win first prize and gold medal at the Karajan Competition in Berlin.

From 1987 to 1995 Lazarev was Chief Conductor and Artistic Director of the Bolshoi Theatre, the first person for over thirty years to hold both positions concurrently. His leadership marked a period of intensive activity with the Bolshoi Opera undertaking an unprecedented programme of prestigious foreign tours including Tokyo (1989), La Scala, Milan (1989), the Edinburgh Festival (1990 and 1991) and the Metropolitan Opera in New York (1991). Several of the Theatreā€™s most successful productions including Glinkaā€™s A Life for the Tsar, Tchaikovskyā€™s The Maid of Orleans and Rimsky-Korsakovā€™s Mlada were filmed for video, and the Bolshoi Symphony Orchestra made a number of highly acclaimed recordings for Erato including such milestones of the Russian symphonic repertoire as Rachmaninov Symphony No.2 and Shostakovich Symphony No.8.

From 1992 to 1995 he was Principal Guest Conductor of the BBC Symphony Orchestra, and from 1997 to 2005 Principal Conductor of the Royal Scottish National Orchestra where his conducting of the complete cycle of Shostakovich symphonies was a high point of his tenure. In recent years he has worked as a regular guest with the Philharmonia Orchestra and the St. Petersburg Philharmonic, appearing with them in London, Paris and Vienna. Other orchestras he has conducted include the Berlin Philharmonic, Munich Philharmonic, Bavarian Radio Symphony, Royal Concertgebouw, Orchestra Filarmonica della Scala, Orchestra dellā€™Accademia Nazionale di Santa Cecilia, Orchestre National de France, Oslo Philharmonic, Swedish Radio Symphony, NHK Symphony, Cleveland Orchestra, Montreal Symphony and London Philharmonic, and he has appeared with opera companies such as the ThĆ©Ć¢tre Royal de la Monnaie, Arena di Verona, OpĆ©ra Ā Bastille, Grand ThĆ©Ć¢tre de GenĆØve, Bavarian State Opera and Netherlands Opera.

His repertoire is particularly enterprising in its scope, ranging from the eighteenth century to the avant-garde. In 1978 he founded the Ensemble of Soloists of the Bolshoi Theatre whose most important aim was the programming and wide dissemination of contemporary music by both Soviet and foreign composers.

Alexander Lazarev is a prolific recording artist, appearing on such labels as Erato, Melodiya, Virgin Classics, Sony Classical, Hyperion, BMG, BIS and Linn Records.

From 2008 to 2016 he was Principal Conductor of the Japan Philharmonic Orchestra and he now holds the position of Conductor Laureate. His work with the orchestra is extensively represented on Octavia Records; following the success of their complete cycles of the symphonies by Prokofiev, Rachmaninov and Shostakovich, they are now embarking on a Glazunov cycle.

First Violin Lorna Rough

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When did you join the RSNO?
I joined the RSNO in April 1999.

Where are you from?
I’m from Ayr.

Where did you study?
I studied at the Royal Academy of Music, London, and was granted a Postgraduate scholarship to Peabody Conservatory of Music in Baltimore, USA (part of the John Hopkins University).

What do you enjoy most about being in the RSNO?
Being a part of creating the wonderful, exhilarating, exciting and spontaneous sound.

Tell us your favourite RSNO story/memory so far.
Doing education work at Yorkhill Hospital, when we helped to bring a girl out of a coma. This was one of the most amazing, unforgettable moments of my life, which shows the true power of music.

What do you enjoy doing when you’re not playing with the Orchestra?
Spending time with my husband Peter and my daughter Bryony. We loveĀ cafeĀ culture.

Do you have any hidden talents?
I couldn’t possibly mention them!

If you could have dinner with anyone (alive or dead) who would it be, and why?
How about Jonathan Ross, Heifitz, Paganini and Vivaldi. It would be hilarious!

You’re stranded on a desert island. You’re allowed 3 CDs and 1 book. What would they be, and why?
The CDs I would bring would be Prokofiev ‘2nd Violin Concerto’ – as it brings back great memories of my wedding day, as I walked down the aisle to the 2nd movement. It’s an amazing piece. Schoenberg ‘Verklarte Nacht’ sends a tingle down my spine! Vivaldi ‘Four Seasons’, but which version?! I change my mind all the time. Only taking one book would be very difficult, but at this moment in time I’d take Paul Auster’s New York Trilogy.

Principal Flute Katherine Bryan

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When did you join the RSNO?
I joined the RSNO in May 2003.

Where are you from?
I’m originally from Salisbury, Wiltshire.

Where did you study?
I studied at the Julliard School, New York.

What do you enjoy most about being in the RSNO?
Firstly, working with lovely people ā€“ the orchestra is a big family, and I really do have the most fabulous flute section imaginable! Not only are they brilliant players but we are great friends and we laugh a LOT. Secondly, it means a lot to me that the orchestra is so important to the culture of Scotland. I love that as an orchestra we all feel very proud to ā€œbelongā€ to this country.

What is your favourite RSNO story?
We were on tour in Germany and went post-concert into a bierkeller. An oompah band was playing the Schnee Waltz, which we are all very familiar with as we play it at Christmas every year. The Orchestra erupted into singing along and dancing, and the Germans couldnā€™t believe it! Some of the most memorable moments occur when we are away on tour, as tours bring a real sense of comradery. We have had many hilarious ceilidhs in hotel bars over the years!

What do you enjoy doing when you’re not playing with the Orchestra?
Spending time with friends and family is everything to me! My little boy is 16 months and he has totally changed my outlook on everything in my life – being with him makes me happier than I could have ever imagined. Fashion and interior design are also huge passions of mine, both which, of course, involve essential regular shopping!

Do you have any hidden talents?
Iā€™m told I make very good shortbread (I have permanently cold hands which is good for baking, apparently) I also know all the words to most Disney songs, and Iā€™m very good at spending money….. Iā€™m not sure, however, that my husband would say that either of those two things were hidden or talents!

If you could have dinner with anyone (alive or dead) who would it be, and why?
So difficult to chose one, so Iā€™d throw a full on dinner party with lots of champagne and invite: Elizabeth I, Sandy Toksvig, Roger Federer, Woody Allen and my late half brother Michael who I never got to meet.

You’re stranded on a desert island. You’re allowed 3 CDs and 1 book. What would they be, and why?
My book would be a notebook (and pencil) – it might inspire me to write my own book! Albums – well I would answer this differently daily, but todayā€™s answer would be: Both Sides Now by Joni Mitchell (to remind me that crying is therapeutic), The Beach Boys Greatest Hits (to remind me of my Dad who use to listen to it all the time when I was little) and the Soundtrack to Forest Gump (to remind me that ā€œLife is like a box of chocolatesā€ – but in this case I probably would know what I was going to get; a hell of a lot of sand…).

Watch Katherine perform Jay Capperauld’s flute concerto ‘Our Gilded Veins’:

Associate Principal Oboe Peter Dykes

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When did you join the RSNO?
I joined the RSNO in July 2017.

Where are you from?
Richmond, North Yorkshire.

Where did you study?
The Royal Scottish Academy of Music and Drama (now the Royal Conservatoire of Scotland) (1996-2000).

What do you enjoy most about being in the RSNO?
Itā€™s a great orchestra made up of great folk playing great music to great audiences!

What is your favourite RSNO story?
This was when I was a guest player with the Orchestra in 1998, sitting between my two teachers at the time, Stephane Rancourt and Stephen West. Being subjected to Stephenā€™s practical jokes set me up perfectly for orchestra life!

What do you enjoy doing when youā€™re not playing with the Orchestra?
Spending time with Jill, my wife, and Gustav my cat, and partaking in football and real ale. And teaching at the RCS.

Do you have any hidden talents?
I have Youth Football coaching qualifications from New Zealand.

If you could have dinner with anyone (alive or dead) who would it be, and why?
Sir Alex Ferguson, to ask him about the art of managing and motivating people, as Iā€™m sure it would make me a better oboe player and teacher!

Youā€™re stranded on a desert island. Youā€™re allowed three albums and one book. What would they be, and why?
Genesisā€™ The Lamb Lies Down on Broadway, because Iā€™m a sucker for progressive rock. The Emerson, Lake & Palmer version of Fanfare for the Common Man, because Iā€™m a sucker for progressive rock. The Darknessā€™ Permission to Land, because it would keep me entertained and Iā€™m certain that theyā€™re suckers for progressive rock! For the book Iā€™d go for Kingdom of Fear by Hunter S Thompson, because itā€™s so incredibly dark that being stranded wouldnā€™t look like such a bad option!

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