Search results 205 results for “Pass Guaranteed Quiz 2024 Salesforce-MuleSoft-Developer-II: Salesforce Certified MuleSoft Developer II – Valid Valid Test Online 🥪 Search for ⏩ Salesforce-MuleSoft-Developer-II ⏪ on 【 www.pdfvce.com 】 immediately to obtain a free download 😁Reliable Salesforce-MuleSoft-Developer-II Exam Blueprint”

Born in Melbourne, the British-Australian character tenor Adrian Dwyer has appeared at many of the world’s greatest Opera Houses, gaining international recognition for his wide ranging vocal ability and vivid theatrical presence in works spanning from the 19th Century to the present day.

Engagements have taken him to the Royal Opera House Covent Garden, Teatro Real (Madrid), Teatro Massimo (Palermo), Opernhaus Zürich, Dutch National Opera (Amsterdam), Welsh National Opera, the Israeli Opera, English National Opera, Opéra de Toulon, Scottish Opera, Irish National Opera, Cape Town Opera, Opera Queensland, Opera North, Birmingham Opera, Northern Ireland Opera, the State Opera of South Australia, as well as the Amsterdam, Edinburgh International and Aldeburgh Festivals.

Recent and future highlights include Mime Der Ring des Nibelungen for Longborough Festival Opera (and Das Rheingold in Singapore), Astrologer The Golden Cockerel, where he got immediately reinvited for the German premiere of Gerald Barry’s Alice’s Adventures Under Ground, Almeric Iolanta with the Royal Philharmonic Orchestra and Brighella Ariadne auf Naxos for Opera North, the title role in the world premiere of The Life & Death of Alexander Litvinenko by Anthony Bolton at Grange Park Opera and the world premiere of Michael Gallen’s Elsewhere with Straymaker Opera and Music-Theatre Company.

In recent seasons he also performed D’Esperaudieu in Gerald Barry’s The Intelligence Park at the ROH Linbury Theatre with Music Theatre Wales, and returned to Opera Queensland as the Prince in John Adams’ A Flowering Tree, and to Welsh National Opera as Anatole in David Pountney’s new production of Prokofiev’s War and Peace including performances at the Royal Opera House, following what critics called a “career-defining” house debut with the company as Andrei in Mussorgsky’s Khovanshchina. He performed one of his signature roles, Electrician in Thomas Adès’ Powder Her Face for the inaugural production of Irish National Opera. Notable international main stage debuts include Israeli Opera (Salome), Oper Zürich (Sweeney Todd), Teatro Real Madrid (Street Scene), Teatro Massimo Palermo (Parsifal).

He has garnered critical acclaim in repertoire ranging from Mozart to Adés, collaborating with innovative directors such as Richard Jones, Christopher Alden, Calixto Bieito, Deborah Warner, David Pountney, Carrie Cracknell, David Alden, John Fulljames, Oliver Mears, Graham Vick, Olivia Fuchs, Antony McDonald, Annilese Miskimmon, Olivier Benezech, David Freeman, and many others.

He has performed with eminent conductors such as Christoph Eschenbach, Sir Richard Armstrong, Richard Bonynge, Jane Glover, Marc Soustrot, David Parry, Ulf Schirmer, Stephen Lord, Elgar Howarth, Oleg Caetani, Mark Wigglesworth, Ed Gardner, Tomas Hanus, Rafael Payare, Paul Daniel, Vasily Petrenko, David Stern, Nicholas Braithwaite, David Hill, Richard Farnes and Rafael Payare.

On the concert stage he has appeared in the BBC Proms at the Royal Albert Hall, with Orchestre de Paris, München Rundfunkorchester, Royal Scottish National Orchestra, Ulster Orchestra, Royal Liverpool Philharmonic Orchestra, BBC Philharmonic, Philharmonia Orchestra, RTÉ Symphony Orchestra, and the Symphony Orchestras of Melbourne, Queensland and Adelaide.

A prizewinner in the Australian Singing Competition, he studied at the Guildhall School of Music and Drama and the National Opera Studio London, with additional scholarships to the Ravinia Festival (Chicago), Britten-Pears Young Artist Programme and the Bayreuth Festival. He made his professional debut in Los Angeles as Rodolfo in Baz Luhrmann’s production of La Bohème (winning an “Ovation” Award for Outstanding Performance).

See Adrian Dwyer perform Carmina Burana with the RSNO on 15 and 16 November 2024. 

With a repertoire spanning centuries, continents and styles, Clark Rundell has established himself as a champion of music ranging from the 18th century to the current day, from Jazz to Kora, from Tango to European modernism and from large, multidimensional projects to music of complexity and intricacy.

He recently made his debuts with the Barcelona Symphony Orchestra, Klangforum Wien, the Gulbenkian Orchestra, Lisbon, the SWR-Sinfonieorchester Baden-Baden, NDR Orchestra Hannover and the Orchestre Philharmonique Royal de Liege all of whom immediately re-invited him to conduct over the next few seasons.

He works regularly with orchestras and ensembles including all of the BBC orchestras, Britten Sinfonia, Royal Liverpool Philharmonic, Royal Northern Sinfonia, Ensemble 10/10 and Asko Schoenberg. Opera world premieres include James MacMillan’s Clemency at the Royal Opera House, Covent Garden, Orlando Gough’s Voices & Votes at the Bergen International Festival, Julian Joseph’s spectacular reimagining of Tristan and Isolde in London, Oscar Bettison’s The Light of Lesser Days in the Netherlands and the hugely anticipated opera Iphigenia by Wayne Shorter and esperanza spalding in Boston and at the Kennedy Centre, Washington, DC. Other opera performances include Albert Herring, The Turn of the Screw, Carmen, Katya Kabanova, Street Scene, L’Heure Espagnole, The Cunning Little Vixen, Greek and L’enfant et les sortilèges.

Deeply committed to the performance of new music, Clark Rundell has given world premières of works by composers such as Louis Andriessen, Steve Reich, Mark-Anthony Turnage, James MacMillan, Django Bates, Sir Richard Rodney Bennett, Oscar Bettison, Gary Carpenter, Trish Clowes, Tansy Davies, Tim Garland, Adam Gorb, David Horne, Julian Joseph, Steve Mackey, Steve Martland, Grace Evangeline Mason, Brad Mehldau, Martijn Padding, Gwilym Simcock, Joey Roukens, Wayne Shorter and Julia Wolfe.

As an arranger, he collaborated with Louis Andriessen on a suite from the late Dutch master’s opera Rosa, entitled Rosa’s Horses, which was premiered by Clark Rundell and the Netherlands Radio Chamber Philharmonic at Het Concertgebouw, Amsterdam. The pair also collaborated on Vermeer Pictures, a suite from Andriessen’s opera Writing to Vermeer, which was also performed at Het Concertgebouw to great critical acclaim. Clark Rundell is working on further suites of Louis Andriessen’s more recent operas.

He has conducted extensive orchestral projects with artists such as Elvis Costello, the Wayne Shorter Quartet, esperanza spalding, Toumani Diabate, Brad Mehldau, Tim Garland, Trish Clowes, Julian Joseph, Abel Selaocoe, Gwilym Simcock and Pablo Ziegler. A highly versatile musician, Rundell has also performed with artists such as John Dankworth, Bob Brookmeyer, Victor Mendoza, Guy Barker, Julian Argüelles, Ed Thigpen, Cleo Laine, Andy Sheppard, Lew Tabakin and Michael Gibbs.

He is passionate about working with young people and is Professor of Conducting at the Royal Northern College of Music in Manchester, and has a close relationship with the Netherlands Orchestral Academy.

Clark Rundell spent much of his childhood in Bloomington, Minnesota. He studied conducting at Northwestern University, Chicago with John Paynter and trombone with Frank Crisafulli, and was subsequently awarded a Junior Fellowship to study conducting with Timothy Reynish at the RNCM.

See Clark Rundell conduct Become Ocean with the RSNO on 28 September 2024.